Milincu Camil and Tudoran Otilia diseinatzailearen Stalker Tiradera-armairua

Milincu Camil and Tudoran Otilia diseinatzailearen Stalker Tiradera-armairua lana 2022 Brontzezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Arte Eder eta Arte Instalazio Diseinua Lehiaketa Kategorian.

BrontzeArte Ederra· 2022

Stalker Tiradera-armairua

diseinatzailea: Milincu Camil and Tudoran Otilia

Bezeroa: Studio Minus

Brontzezko Saria A' Design Award Irabazlea Arte Ederra Kategorian

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Koloreak

Diseinua

Stalker Tiradera-armairua Diseinuari Buruz

Stalker gela baten erdian aske egoteko diseinatutako tiradera-armaira da, edozein aldetatik hurbil daitekeena. Pieza pago-egurrez, lizar-egurrez eta kontratxapatuz eginda dago, ispilu, altzairu galvanizatu eta altzairu eztainatuzko elementuekin. Hamaika tiradera ez-berdin lau aldeetan modu irregularrean kokatuta daude, ehundura ilun bertikal baten atzean ezkutatuta, eta altzairu eztainatuzko heldulekuek beren kokapena adierazten dute. Lau ispilu prismatikok kantoi-islagailu bat osatzen dute, edozein begiratze-punturtatik ikuslearen begirada itzultzen duena. Stalker eskuz eraikia da eta arte eta altzari-diseinuaren arteko mugan kokatzen da.

Aintzatespena

Brontzezko Saria A' Design Award Sariari Buruz

Stalker Tiradera-armairua Brontzezko Saria A' Design Award irabazlea da, sormenak, asmamenak eta zorroztasunak bereizten dituzten diseinu bikainei ematen zaien aitorpen oso prestijiotsua. Brontze-mailako irabazleak trebetasunez beteriko eta nabarmenki sortzaileak diren artefaktuak dira, beren diseinatzaileen esperientzia zabala, irudimena eta ekimena egiaztatzen dutenak. Stalker Tiradera-armairua oso estimatua, miretsia eta maitea den objektua izatea espero da, nabarmenki profesionala eta berritzailea dena. Brontzezko Saria A' Design Award irabazi duen diseinu honek artearen, zientziaren, diseinuaren eta teknologiaren praktika onenak biltzen ditu eta xehetasunei ematen dien arretagatik bikaina da. Stalker Tiradera-armairua beharrak bikain asetzen dituen, desirak ukitzen dituen, sentimenduak xarmatzen dituen eta jakin-mina erakartzen duen lana da.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: The stalker is that piece of furniture that one can't ignore.
He stares into one's soul, reflecting facets of the viewer's self. He is the alter ego with many secret drawers, hidden behind a vertical dark texture. Initially created as a mystery chest of drawers, the stalker also has four prismatic mirrors (corner reflectors) which reflect the viewer's eyes from every point one is standing. This piece of furniture creates a visual and philosophical dialogue with anyone who interacts with it.
Neurriak eta Ontziratzea: 400 mm X 400 mm X 1700 mm
Etiketak: stalker, reflection, mirror, hidden drawer, corner reflector
Produkzio Teknologia: beechwood, ash wood, plywood, mirror, galvanized steel, tinned steel
Diseinu Erronka: The most difficult challenge was designing, positioning and aligning the corner reflector within the chest of drawers followed by finding a way of making a symmetrical frame so that drawer fronts were possible to be placed on all sides. Great debate was generated along the final height of the piece, as it is meant to be a mirror image of an unknown person. Many finishing recipes were tested, and in order to make a proper evaluation, the samples had to be made with the same texture as the finished piece.
Ikerketa: The nominated piece of furniture is at the border between art and furniture design. We believe that such a present piece of furniture as a chest of drawers must have a very personal touch, being a mirror of our personalities and representing us.
The construction is made out of solid wood.
The wooden frame contains eleven non-identical drawers, which are unevenly distributed on all four sides of the piece of furniture.
All the drawers have different rights and fit in the whole depth of the structure. They are made using plywood, on which we applied a texture of wooden vertical wands which continue the general vertical pattern, subtly integrating the enclosures within the design. It is the tinned steel handles that indicate the position of the drawers.
The whole process was an experiment, as the project developed organically, the piece being built manually from the construction level to its last detail. There were also details that had to be changed along the way. The piece of furniture respects the three registers corresponding with the human body: head-body-legs. The legs were an experiment. Being made out of vertical welded steel they didn't support the wooden structure well. That is why they had to be bent.
We believe in the idea of makers, that by building manually a piece of furniture one can also create a piece of art. By working manually, the design decisions are more assumed at a detail level.
The general concept, the structure, and all the details including the finishings are also a controlled result of more tries.
The stalker remains a piece of furniture at the border between art and furniture design.
Inspirazioa: One of the things the Covid-19 Pandemic did to us was to make us reflect upon ourselves. The stalker is a vessel for our alter ego, constantly and obsessive looking back. As the mirror image must have a soul, Items, memory anchors of our past self are kept in its drawers, concealed behind a vertical dark texture. This piece of furniture creates a visual and philosophical dialogue with anyone who interacts with it.
The stalker represents our alter ego, and is inspired by a person who discovers the partner's secrets, relating to the other person almost as to himself, as a mirror image, however keeping mysterious drawers.
Proiektuaren Iraupena: The project started in 2020 and was finished in 2021 in Timisoara, Romania
Eragiketa Fluxua: The stalker is a piece of furniture that can be positioned in the center of a room, so he can be approached from any side.
Taldekideak: Milincu Octavian Camil
Tudoran Otilia Alexandra
Irudi Kredituak: Image 1-5: photographer: Diana Bilec, The Stalker, 2022.