Mohammad Rahimizadeh and Shaqayeq Nemati diseinatzailearen Esfahan Oinezkoen zubia

Mohammad Rahimizadeh and Shaqayeq Nemati diseinatzailearen Esfahan Oinezkoen zubia lana 2022 Brontzezko Saria A' Design Award sari ospetsuaren irabazle bikaina da Arkitektura, Eraikin eta Egitura Diseinua Lehiaketa Kategorian.

BrontzeArkitektura· 2022

Esfahan Oinezkoen zubia

diseinatzailea: Mohammad Rahimizadeh and Shaqayeq Nemati

Bezeroa: Kalbod Studio

Brontzezko Saria A' Design Award Irabazlea Arkitektura Kategorian

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Webgunea Bisitatu A' Design Award-en Ikusi Prentsa-oharra Sari-bereizgarria

Koloreak

Diseinua

Esfahan Oinezkoen zubia Diseinuari Buruz

Esfahan Iranen, Isfahanen, kokatutako gune baterako diseinatutako oinezkoen zubia da. Zubiak teknologia merkataritza zentro bat museo lorategi batekin lotzen du eta inguruko unibersitateei, ikerketa institutuei eta industriei zerbitzu ematen die. Erakusketa aretoak, erdiko patioak eta atseden guneak ibilbidean zehar kokatuta daude, hala non zeharkaldia espazio publiko gisa ere funtzionatzen duen. Formak Isfahaneko zubi historikoei egiten die erreferentzia, Khajoo zubia barne. Simetria islatzailea erabiltzen da, fatxadak eta ibaian duen irudiak eredu oso bat osatzen dutelarik. Barne-espazioak malguak dira eta erabilera desberdinak har ditzakete.

Aintzatespena

Brontzezko Saria A' Design Award Sariari Buruz

Esfahan Oinezkoen zubia Brontzezko Saria A' Design Award irabazlea da, sormenak, asmamenak eta zorroztasunak bereizten dituzten diseinu bikainei ematen zaien aitorpen oso prestijiotsua. Brontze-mailako irabazleak trebetasunez beteriko eta nabarmenki sortzaileak diren artefaktuak dira, beren diseinatzaileen esperientzia zabala, irudimena eta ekimena egiaztatzen dutenak. Esfahan Oinezkoen zubia oso estimatua, miretsia eta maitea den objektua izatea espero da, nabarmenki profesionala eta berritzailea dena. Brontzezko Saria A' Design Award irabazi duen diseinu honek artearen, zientziaren, diseinuaren eta teknologiaren praktika onenak biltzen ditu eta xehetasunei ematen dien arretagatik bikaina da. Esfahan Oinezkoen zubia beharrak bikain asetzen dituen, desirak ukitzen dituen, sentimenduak xarmatzen dituen eta jakin-mina erakartzen duen lana da.

Diseinuaren Atzean

Prentsa-kita

Diseinatzaileak emandako kredituak, taldekideak eta xehetasun teknikoak.

Propietate Bereziak: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Neurriak eta Ontziratzea: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Etiketak: Technology , bridge , Exhibition , Recreational , tourism , iran
Produkzio Teknologia: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Diseinu Erronka: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Ikerketa: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Inspirazioa: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Proiektuaren Iraupena: esfahan - iran
Eragiketa Fluxua: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Taldekideak: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -