Disainilahendus Jiangnan No.1 Courtyard Näitusesaal, mille autor on Wei Zhang - gad, on kõrgelt hinnatud 2022 auhinna Kuldauhind A' Design Award võitja konkursi kategoorias Arhitektuuri, hoonete ja rajatiste disain.
KuldArhitektuur· 2022
Jiangnan No.1 Courtyard Näitusesaal
disainer: Wei Zhang - gad
Klient: Gad
Auhind Kuldauhind A' Design Award kategoorias Arhitektuur
Kinnitatud auhinna võitja
Kinnita auhinna staatus disainile #136004Disain
Teosest Jiangnan No.1 Courtyard Näitusesaal
Jiangnan No.1 Courtyard on näitusesaal, mis asub Xiaoshan Innovation Polises Hangzhous, Hiinas. Hoone seisab järve ääres ning ümbrus meenutab Jiangnani veelinnakest. Kalasabakujulised kaldkatused, valged seinad ja mustad katusekivid moodustavad katkematu ja rütmilise tervikpildi. Interjöör on korraldatud valgusšahtiga maastikuaatriumi ümber, järgides traditsioonilise siseõue vaimu. Loomulik valgus siseneb ruumidesse läbi aatriumi klaasi. Sissepääsu juures on kasutatud puitu imiteerivaid poste, mis moodustavad poolläbipaistva sirmi.
Tunnustus
Auhinnast Kuldauhind A' Design Award
Jiangnan No.1 Courtyard Näitusesaal on Kuldauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse esmaklassilistele, imelistele ja silmapaistvatele disainidele. Kuldvõitjad on ülimalt uuenduslikud, visioonilised ja glamuurselt pimestavad looming, mis peegeldab oma disainerite geniaalsust, tarkust ja oskusi. Jiangnan No.1 Courtyard Näitusesaal peaks olema kõrgelt kiidetud, suundi seadev ja monumentaalne leiutis, mis pakub enneolematut väärtust. See Kuldauhinna A' Design Award võidudisain on suurejooneline, lugupeetud projekt, mis toob suurt kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Jiangnan No.1 Courtyard Näitusesaal tekitab intensiivset soovi, äratab kirge, julgustab loovust ja lummab meid.
Disaini taustal
Pressimaterjalid
Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.
- Unikaalsed omadused
- The building is located at XiaoshanInnovation Polis, and being adjacent to the lake in the place is the landscape advantage that has added the smart sense of the Jiangnan watery town. The herringbone sloping roofs and the minimalist white walls and black tiles elements give a vivid visual impression, forming an overall continuous and rhythmic picture. The herringbone undulating roof brings a rich state of space, and which seems to be a sign of the designer’s preference for the endless mountains.
- Mõõtmed ja pakend
- The light well in the traditional courtyard emphasizes spirituality and sense of belonging. The building also responds to this concept in space design, and it is overall like an enclosed hall with the internal functional organization built around a light well atrium.
Stepping into the front hall, the landscape atrium is opposite to the entrance. Natural light becomes an indoor light source through the atrium glass. The seasons change and the variety of light and shadow are all like being collected in this transparent landscape container. Combined with the waterscape, it fills the square space with the light flow sense and fresh vitality, responding to the environment characteristics of overlooking lake in the area. - Sildid
- Traditional courtyard, Jiangnan Watery Town, Spirituality, Sense Of Belonging
- Tootmistehnoloogia
- The entrance is made of imitative wood pole elements creating a semi-transparent curtain effect. The building facade combining with the small scene of the landscape creates a wonderful picture of mountains and rivers in Jiangnan.
- Disainiülesanne
- In this case, we try to depict the understanding of the traditional Jiangnan architecture and explore the cultural roots growing in space. And meanwhile, this project trys to answer how should architecture express the unique charm of oriental architecture with modern language.
- Uurimistöö
- If the design is telling a kind of wisdom, a certain quality or a feeling about beauty, then culture is the train of thought hidden in the design method. In the traditional concept, oriental architecture advocates the implicit quality and avoids the direct expression. In the design concept of Jiangnan No.1 Courtyard Life Experience Hall, we respond to the spirit characteristics of the traditional Jiangnan courtyard with modern language.
- Inspiratsioon
- The patio in the traditional courtyard emphasizes spirituality and sense of belonging. The building also responds to this concept in space design, and it is overall like an enclosed hall with the internal functional organization built around a patio atrium.
- Projekti kestus
- The project started in 2016 in Hangzhou, China and finished in 2018.08.
- Tööprotsess
- Stepping into the front hall, the landscape atrium is opposite to the entrance. Natural light becomes an indoor light source through the atrium glass. The seasons change and the variety of light and shadow are all like being collected in this transparent landscape container. Combined with the waterscape, it fills the square space with the light flow sense and fresh vitality, responding to the environment characteristics of overlooking lake in the area.
When we visit the gardens, we often linger in the twists and turns of the virtual and real landscape. In the design of the experience hall, this gardening method is used in the architectural space to create a virtual and real spatial sequence. For example, the glass material used at the corner along the lake, and the Jiangnan architectural elements of the white walls and black tiles, form a virtual and real, modern and ancient, indoor and outdoor integration. - Meeskonnaliikmed
- Project Director: Wei Zhang
Project Creative: Jialiang Hu
Other Team Members: Cheng Zhang
Structure: Xiaoping Ye
Zhengchao Zhang
Water Supply and Drainage: Li Nie
HVAC: Yougui Pan
Electrical: Guoping Chen
Photographer: Yi Fan - Piltide autorid
- Image #1: Photographer Yi Fan, Main Image, 2018.10.19.
Image #2: Photographer Yi Fan, Optional Image, 2018.10.19.
Image #3: Photographer Yi Fan, Optional Image, 2018.10.19.
Image #4: Photographer Yi Fan, Optional Image, 2018.10.19.
Image #5: Photographer Yi Fan, Optional Image, 2018.10.19.
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