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Disainilahendus White Forest Elamu siseruumide disain, autor Po Chuan Kao

Disainilahendus White Forest Elamu siseruumide disain, mille autor on Po Chuan Kao, on kõrgelt hinnatud 2022 auhinna Pronksauhind A' Design Award võitja konkursi kategoorias Siseruumide ja näitusedisain.


PronksInterjöör· 2022

White Forest Elamu siseruumide disain

disainer: Po Chuan Kao

Klient: ACG Design International

Auhind Pronksauhind A' Design Award kategoorias Interjöör

12,295

Värvid

Disain

Teosest White Forest Elamu siseruumide disain

White Forest on umbes 42-pingine (u 139 m²) elamu sisekujundusprojekt Taichungis. Plaan hõlmab esikut, kööki, söögituba, elutuba ja tööruumi, samuti peamagamistuba koos vannitoaga ning teist magamistuba koos vannitoaga. Ebavajalikud seinad eemaldati, et korrigeerida moonutatud ja liigselt jaotatud algset planeeringut. Hall terrazzo esikus ühendab köögi ja söögitoa. Marmor, peeglid, klaasplaadid ja värvitud massiivpuit meenutavad kive, allikaid ja lilli, samas kui alumiiniumist valgusribad annavad pehmet kaudset valgust.

Tunnustus

Auhinnast Pronksauhind A' Design Award

White Forest Elamu siseruumide disain on Pronksauhinna A' Design Award võitja, väga prestiižikas tunnustus, mis antakse silmapaistvatele disainidele, mida iseloomustavad loovus, leidlikkus ja teravmeelsus. Pronksvõitjad on küllaldaselt osavad ja tabavalt loovad teosed, mis kinnitavad oma disainerite laia kogemust, kujutlusvõimet ja leidlikkust. White Forest Elamu siseruumide disain peaks olema kõrgelt hinnatud, imetletud ja armastatud objekt, mis on märkimisväärselt professionaalne ja uuenduslik. See Pronksauhinna A' Design Award võidudisain ühendab parimaid tavasid kunstis, teaduses, disainis ja tehnoloogias ning on suurepärane oma detailidele pööratud tähelepanu poolest. White Forest Elamu siseruumide disain rahuldab suurepäraselt vajadusi, puudutab soove, võlub tundeid ja pakub huvi uudishimule.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Mõõtmed ja pakend
The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Sildid
flowers blooming, relaxing, silence and pure, pink
Tootmistehnoloogia
Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Disainiülesanne
To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Uurimistöö
To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Inspiratsioon
The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Projekti kestus
The project finished in Jun 2021 in Taichung.
Tööprotsess
Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Meeskonnaliikmed
PO-CHUAN KAO
Piltide autorid
ACG Design International

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