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Disainilahendus Chang An Temple Budistliku Valgustumise Saal, autor PCC Design - Swe WingChew and Kong MeeChew

Disainilahendus Chang An Temple Budistliku Valgustumise Saal, mille autor on PCC Design - Swe WingChew and Kong MeeChew, on kõrgelt hinnatud 2021 auhinna Hõbeauhind A' Design Award võitja konkursi kategoorias Arhitektuuri, hoonete ja rajatiste disain.


HõbeArhitektuur· 2021

Chang An Temple Budistliku Valgustumise Saal

disainer: PCC Design - Swe WingChew and Kong MeeChew

Klient: PCC Sdn. Bhd

Auhind Hõbeauhind A' Design Award kategoorias Arhitektuur

20,868

Värvid

Disain

Teosest Chang An Temple Budistliku Valgustumise Saal

Templi kujundus põhineb muistse idamaise arhitektuuri kontseptsioonil ja on integreeritud kaasaegsete arhitektuuriliste elementidega. Lisaks peasaali ainulaadsusele on maastikuarhitektuur kujundatud Zeni maastikuaia kaudu, mis sisaldab nii Jaapani kardinalpunast paviljoni kui ka budistlike luulekalligraafiaga kive. Seega kutsub see esile kaasaja ja muistse idamaise esteetika ühendamise vaatepildi.

Tunnustus

Auhinnast Hõbeauhind A' Design Award

Chang An Temple Budistliku Valgustumise Saal on Hõbeauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse tipptasemel, suurepärastele ja muljetavaldavatele disainidele. Hõbevõitjad on ülimalt säravad ja erakordselt loovad tööd, mis illustreerivad oma disainerite silmapaistvat kogemust, annet ja teravmeelsust. Chang An Temple Budistliku Valgustumise Saal peaks olema imeline, eeskujulik töö, mis on märkimisväärselt professionaalne ja sügavalt uuenduslik. See Hõbeauhinna A' Design Award võidudisain on väga tähelepanuväärne, imetletud leiutis, mis toob kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Chang An Temple Budistliku Valgustumise Saal on laialdaselt kadestatud looming, mis äratab soove, tekitab positiivseid tundeid ning süütab hämmastust ja imestust.

Disaini taustal

Pressimaterjalid

Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.

Unikaalsed omadused
The exterior design of the temple illustrates the richness of elements and characteristics of ancient oriental architecture.
Approximately one-third of the site was intentionally allocated for the vastly Zen garden's landscape, to lure the eyes with beautiful nature as a luxury and great sense of welcoming entrance. The frontage manmade lake was complemented with an outdoor gallery of Chinese calligraphy and Buddhism statue stones carving along the pedestrian path circling to evoke the scene of the modern era emerging with ancient oriental characteristics.
Mõõtmed ja pakend
The project is with a building scale of 20,440 Square meter and an Land area of 39,254.50 Square meter
Sildid
Oriental Architecture, Temple, Enlightenment Hall, Buddhism, Calligraphy, Nature
Tootmistehnoloogia
The site is situated in Malaysia, a hot-humid tropic country with high precipitation all over the year.
The construction structure is dominantly a reinforced concrete and masonry wall- sustainable and suitable for the hot tropic climate and minimal seismic zone.
Pitch roof and clay tiles are the most sustainable roof type to address the hot-humid and heavy rainfall.
The reflective pond surrounding the temple building footprint is another sustainable tool that acts as an air inter-cooler system, to reduce external air temperature before entering into the building and to reduce the dependency on the air-conditioner.
Disainiülesanne
The challenging part of the building is the conversion of technology. The ancient oriental architecture is created through timber building structure, whereas the timber structure is not capable of to current era. Hence, the conversion of ancient timber structure into a concrete structure without losing any aesthetic feeling and actual proportion of ancient oriental architecture is our main challenges
Uurimistöö
Chinese calligraphy and Buddhism statue stones carving are essential in traditional Chinese architecture. They hold a high philosophical and historic value.

Those stones are introduced into the Zen garden landscapes as an outdoor gallery along the pedestrian path circling the lake - to complement the atmosphere towards the sense of oriental and its origin.

The interior design of the enlightenment hall is decorated with many of those stones at the columns, walls, and ceilings - to enrich the spiritual moods and to complement the purpose. In other words, it recreates a modern version of Mogao Cave temple in Dun Huang, China.
Inspiratsioon
The inspiration for this theme of the design is through the Tang, Song, and Ming Dynasty architecture - emphasizing the traditional elements of details such a roof, screens, and sculptures into the modern touch to create a progressing architecture, Neo Oriental.
Traditional lanterns are significant ornaments in Chinese tradition that were being translated into the façade design as a Chinese screen with frosted glass backlight effects – to create a neo-oriental illuminated by the modern vibe.
Projekti kestus
The project expected started in October 2020 Selangor, Malaysia and will finish in year 2022
Tööprotsess
Besides the usage for Main Temple Hall, the building also takes the experience of visitors in the outdoor Buddhist calligraphy garden into account. The project is set up according to various functions, including a prayer hall, indoor and outdoor Buddhist cultural caligraphis museum, meditation, etc.
Meeskonnaliikmed
Creative director: SW Chew, KM Chew
Design Assistant:Nor Azmi Bin Nor Saidon, Mohamad Hisamudin
Piltide autorid
All image credited by PCC Design Sdn. Bhd

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