Interviews with Przemyslaw Cepielik

I always knew I wanted to become an architect. From an early age, I was fascinated by cities, buildings, proportions and the emotional impact of spaces. My path toward design naturally developed through my education in Athens, where I studied in a school focused on applied arts and Bauhaus-inspired principles. This experience taught me to see design as a balance between aesthetics, function, craftsmanship and simplicity.

At the same time, living in Greece exposed me daily to the influence of classical antiquity, Mediterranean landscapes and architecture deeply connected to light and nature. These experiences shaped my understanding of timeless architecture and continue to inspire my work today.

Over time, architecture became much more than a profession for me — it became a way of expressing atmosphere, emotion and identity through space. Through years of practice, travel and observation, I gradually developed a personal approach rooted in minimalism, natural materials and strong relationships between architecture and landscape.

My priorities in design are atmosphere, proportion, functionality and timelessness. I always try to create spaces that feel calm, emotionally engaging and naturally connected to their environment. I believe architecture should age beautifully and remain relevant far beyond temporary trends.

Functionality is a fundamental part of my design philosophy. In my projects, form and aesthetics always emerge from function and the way people experience and use the space in everyday life. I believe the most powerful architecture is created when beauty grows naturally from clarity, purpose and well-resolved spatial relationships rather than from purely decorative gestures.

My design approach is strongly influenced by Bauhaus principles, classical architecture and Mediterranean minimalism. I value simplicity, clarity of form and honest use of natural materials such as stone, wood, concrete and textured surfaces shaped by light. Rather than focusing on excessive gestures, I prefer architecture that creates emotional depth through proportion, rhythm, shadow and spatial experience.

Technically, I combine digital tools with intuitive thinking, sketching and conceptual exploration. I approach each project holistically — architecture, interiors, landscape and light should function together as one coherent composition.

Designing is a deeply emotional and immersive process for me. At the beginning of every project, I usually feel curiosity and excitement because each space carries hidden potential waiting to be discovered. I enjoy the moment when an abstract idea slowly transforms into architecture with its own atmosphere, identity and emotional presence.

The greatest satisfaction comes from refining proportions, light, materials and functionality until everything feels natural and coherent. I strongly believe that beauty in architecture should emerge from logic, function and the way people truly experience space. In my projects, form and aesthetics are never separated from usability — they evolve together as one harmonious system.

Designing gives me a sense of fulfillment because it allows me to transform emotions, memories and intuition into spaces that people can live in and emotionally connect with. For me, architecture is not only about creating buildings, but about shaping experiences, silence, calmness and relationships between people and their environment.

My background was strongly shaped by applied arts education based on Bauhaus principles in Athens, Greece. This experience taught me discipline, clarity of form and the importance of functionality in design. At the same time, living in Greece exposed me daily to classical antiquity, Mediterranean architecture and the relationship between architecture, landscape and natural light. These influences continue to shape my sensitivity toward timeless proportions, natural materials and emotional atmosphere in space.

Beyond architecture itself, travel, observation and understanding human behavior have been equally important in my development as a designer. I believe architecture should not only look beautiful, but also function naturally and improve everyday life. In my projects, aesthetics always emerge from functionality, spatial logic and the emotional experience of the user.

My goal is to continue developing Eklekt Atelier as an internationally recognized studio focused on emotionally driven architecture, interiors and landscape-oriented projects. I want to further refine a strong architectural language rooted in minimalism, functionality, timelessness and connection to nature.

In the future, I would like to create more projects in Mediterranean environments, especially in Greece, where architecture can strongly interact with landscape, light, water and topography. My dream projects are private residences and hospitality spaces that create a deep emotional experience while remaining calm, functional and timeless. I am particularly interested in architecture that blurs the boundary between interior and exterior space.

My advice is to focus less on trends and more on developing your own sensitivity and understanding of space. Young designers should learn patience because good architecture takes time, experience and continuous refinement. It is also very important to travel, observe real architecture, study proportions, natural light and materials instead of relying only on digital references.

I would also advise young designers to never separate aesthetics from functionality. Beautiful architecture without logic and usability quickly becomes superficial. In truly timeless design, form naturally grows out of function, proportion and the way people experience space in everyday life.

I believe designers should focus on authenticity rather than constantly chasing visibility or temporary trends. Strong architecture is created through consistency, patience and a deep understanding of proportion, function and atmosphere. It is important to create projects that age well emotionally and materially.

I also believe natural materials, simplicity and clarity are becoming increasingly important in a world overloaded with visual noise. Designers should remember that architecture is ultimately created for people and everyday life. The most meaningful projects are often the ones that feel calm, intuitive and timeless rather than overly complicated or attention-seeking.

My days usually begin calmly, often with time spent thinking, sketching or reviewing concepts before entering the operational rhythm of the studio. I do not separate creativity from everyday management because architecture requires balancing both emotional sensitivity and practical decision-making.

A large part of my day involves discussions with clients, consultants, contractors and my team, but I always try to preserve quiet moments for conceptual thinking and creative focus. I work intensely, often late into the evening, because some of the best ideas appear when there is silence and full concentration.

I observe contemporary design, but I try not to follow trends directly. Trends are temporary by nature, while architecture should remain meaningful and relevant for decades. Instead of focusing on trends, I prefer studying timeless architecture, classical proportions, natural materials and emotional qualities of space.

My inspiration comes more from travel, cinema, art, photography, landscapes and historical architecture than from social media trends. I believe strong design should have its own identity and authenticity rather than trying to imitate what is currently popular.

For me, good design is timeless, functional and emotionally meaningful. A well-designed project feels natural and effortless, as if nothing unnecessary has been added and nothing important has been omitted. I believe architecture should create calmness, clarity and a strong relationship between people, light and space.

I evaluate design not only by aesthetics, but also by how it functions in everyday life. In my opinion, form should always emerge from function and spatial logic. When a project is truly well designed, people intuitively understand and experience the space without needing explanation.

One of the most common mistakes in design today is prioritizing visual impact over authenticity and usability. Many projects try too hard to impress visually while forgetting atmosphere, comfort and emotional longevity. Good design should remain meaningful long after trends disappear.

A project feels ready when all elements — function, proportion, light, materiality and atmosphere — work together naturally and coherently. It is less about perfection and more about reaching a sense of balance where nothing feels excessive or unresolved.

At the same time, I believe architecture is never completely finished in an emotional sense because every project continues to evolve through the people who live within it and the passage of time. However, there is always a moment during the design process when intuition tells you that the project has achieved its identity and clarity.

13. What is your biggest design work?

One of the most significant projects in my career was the design of a public park commissioned by the City of Kraków. This project was particularly important because it combined architecture, landscape and public space into one cohesive environment intended to improve everyday urban life and create a stronger connection between people and nature.

Designing on a public scale required balancing functionality, accessibility, ecology and emotional atmosphere while responding to the identity of the surrounding city fabric. The project taught me the importance of creating spaces that are not only visually coherent, but also socially meaningful and naturally integrated into their environment.

This experience strongly influenced my later architectural approach, especially my sensitivity toward landscape, movement, spatial composition and the relationship between built form and nature.

I deeply admire architects such as Tadao Ando, John Pawson and Ludwig Mies van der Rohe for their understanding of simplicity, proportion and spatial atmosphere. I am also strongly inspired by classical Greek architecture and the timeless harmony of antiquity.

What connects all of these influences is the idea that architecture does not need unnecessary complexity to create emotional power. I admire designers who understand light, silence, materiality and restraint.

My lifestyle is deeply connected to travel, art, photography and observation of everyday life. During my travels, I am particularly interested in documenting local architecture, cultural rituals, textures, light and culinary traditions of each region. I believe every place carries its own atmosphere and identity, which can be understood not only through buildings, but also through food, craftsmanship, habits and the way people interact with space.

Having lived and studied in Greece, Mediterranean culture had a profound influence on my sensitivity toward light, natural materials, landscape and timeless simplicity. These experiences continue to shape my architectural language and emotional approach to design.

Photography plays an important role in the way I observe proportions, shadow and spatial composition, while painting allows me to express emotions and intuition in a more abstract and personal way. Both disciplines strongly influence my architectural process by teaching me sensitivity toward atmosphere, color, texture and visual balance.

I believe architecture should be connected to life itself — to memory, culture, nature and human experience — rather than existing purely as an isolated object.

My work philosophy is based on authenticity, collaboration and attention to detail. I believe architecture should emerge from dialogue between function, atmosphere and the individual needs of the client. Every project is approached holistically, where architecture, interiors and landscape form one coherent vision.

I value honesty, trust and long-term relationships both within my team and with clients. At Eklekt Atelier, we focus on creating timeless spaces rather than following temporary trends. Functionality is always fundamental in our process because I believe beauty should naturally evolve from usability, proportion and clarity.

I believe architects have a responsibility to improve the quality of human experience through thoughtful and timeless design. While architecture may not always directly solve social problems, it can positively influence the way people live, feel and interact with their environment.

I try to contribute by promoting architecture that values simplicity, sustainability, emotional well-being and connection to nature. I also believe sharing knowledge, inspiring younger designers and encouraging sensitivity toward space and materials are important forms of contribution within the creative community.

Participating in the A’ Design Award was a very valuable experience because it provided international recognition and an opportunity to present my work within a global design context. Awards and competitions can help designers gain visibility, build credibility and connect with broader audiences and professionals from different fields.

What I appreciate most is the possibility to share architectural ideas and emotions beyond local boundaries. Being recognized by an international jury is both motivating and inspiring, encouraging further exploration and development of a personal architectural language.

The main focus was to transform a compact, non-orthogonal apartment into a calm and coherent living environment defined by continuity, softness and functional clarity. I wanted the interior to feel fluid and intuitive, where movement between spaces happens naturally without rigid boundaries or visual interruptions.

An important objective was integrating architecture, furniture, lighting and technical systems into one unified spatial composition. Every curved element, built-in volume and concealed detail was designed to reinforce the sense of continuity and calmness throughout the apartment.

At the same time, functionality remained fundamental. The project had to provide comfort, storage, flexibility and ergonomic clarity while maintaining a restrained and timeless architectural expression.

Curved Apartment became an important exploration of fluid spatial organization and integrated interior architecture, and I would like to continue developing these ideas in future residential and hospitality projects.

The project also reinforced my interest in designing interiors where geometry, atmosphere and technical precision merge seamlessly into one experience. In the future, I would like to further explore soft spatial transitions, tactile minimalism and emotionally balanced living environments on larger architectural scales.

The project evolved through multiple stages of refinement and spatial reorganization. Because the apartment’s curved geometry required a highly customized approach, a significant amount of time was dedicated to studying circulation, proportions, furniture integration and technical coordination.

The design process was focused not only on aesthetics, but also on achieving spatial continuity, ergonomic comfort and functional clarity within a compact layout.

The project was commissioned by a private client seeking a comfortable weekend apartment with a calm atmosphere, functional openness and timeless character.

At the same time, the unusual geometry of the building became a strong architectural inspiration. Instead of correcting or hiding the curved perimeter, the design embraces it completely, allowing the geometry itself to shape the spatial logic, furniture design and overall atmosphere of the interior.

Curved Apartment was designed as a bespoke residential interior developed specifically for a private client and fully realized by Eklekt Atelier as a turnkey project.

The project is not intended for commercial replication because its identity is closely connected to the specific geometry of the building and the individualized spatial solutions developed for this particular interior.

I am particularly interested in residential interiors because they allow architecture to influence everyday rituals, emotions and personal experience in a very direct way. Projects such as Curved Apartment create opportunities to explore how geometry, light, materiality and movement can shape atmosphere and comfort simultaneously.

This project was especially interesting because the curved geometry challenged conventional spatial organization and opened possibilities for creating a softer, more fluid and emotionally calming interior environment.

The project was influenced by contemporary minimalism, soft modernist interiors and designers who work with spatial continuity, restraint and tactile atmosphere. I am particularly inspired by architecture that integrates furniture, lighting and materiality into one coherent system rather than treating them as separate elements.

Beyond architecture itself, influences also came from sculpture, product design, photography and the observation of organic forms and movement.

The project was designed for people who value calmness, comfort and architectural coherence in everyday living. It is intended for users who appreciate restrained aesthetics, integrated functionality and emotionally balanced spaces rather than highly decorative interiors.

Curved Apartment particularly responds to individuals seeking a contemporary but timeless environment shaped by softness, continuity and intuitive spatial experience.

What distinguishes Curved Apartment is the way the entire spatial concept emerges directly from the building’s curved geometry. The absence of orthogonal walls became the defining architectural principle rather than a technical limitation.

Another important aspect is the integration of architecture, furniture, lighting and concealed technical systems into one continuous composition. The project avoids rigid spatial divisions and instead creates fluid transitions through sequencing, built-in elements and soft boundaries.

The name “Curved Apartment” directly reflects the essential architectural idea of the project. The curved geometry of the building became the defining force behind the entire spatial organization, furniture language and atmosphere of the interior.

The name also emphasizes continuity, softness and fluidity — qualities that define both the physical space and the emotional experience of the apartment.

The project combined conceptual sketching, digital modeling, technical detailing and advanced visualization tools throughout the design process. Because of the complex geometry, precise coordination between architectural elements, custom furniture and technical systems was especially important.

At the same time, intuition, observation of movement and sensitivity toward atmosphere played an equally important role in shaping the final interior experience.

One of the most unique aspects of Curved Apartment is the complete integration of curved geometry into every layer of the project — from spatial organization and circulation to furniture, lighting and concealed technical systems.

The project creates a continuous interior environment without relying on rigid walls or conventional spatial separation. Instead, atmosphere and functionality emerge through sequencing, soft transitions and integrated architectural elements.

The project was developed and realized by Eklekt Atelier in close collaboration with technical consultants, contractors and specialized craftsmen responsible for custom fabrication and execution.

Because the design relied heavily on curved built-in furniture, concealed systems and integrated lighting, precise technical coordination and high-quality craftsmanship were essential throughout every stage of realization.

Technology played an essential but discreet role in Curved Apartment. Digital modeling and technical coordination tools were fundamental in developing the continuous curved geometry, integrated furniture systems and concealed architectural details with precision.

At the same time, technology was intentionally hidden within the final interior. Ventilation, lighting systems, storage and sliding mechanisms were fully integrated into the architectural composition so the space could remain visually calm, seamless and emotionally balanced.

In this project, technology supports continuity and comfort rather than becoming a visible feature itself.

The project was strongly influenced by spatial and functional analysis rather than numerical or purely data-driven research. The main focus was understanding how curved geometry affects circulation, perception and everyday living within a compact residential layout.

Extensive studies were conducted regarding movement flow, ergonomic relationships, storage integration and the interaction between light, materials and curved surfaces. Technical research was also necessary to integrate ventilation systems, concealed lighting and custom furniture within the non-orthogonal spatial framework.

One of the greatest challenges was maintaining visual continuity and spatial softness while resolving complex technical requirements within a relatively compact apartment.

The curved geometry required highly customized solutions at every scale of the project — from furniture fabrication and concealed storage to lighting integration and construction detailing. Achieving precision without losing the calm and effortless atmosphere of the interior required close coordination between designers, contractors and craftsmen throughout the realization process.

Curved Apartment represents an important exploration of fluid interior architecture and integrated spatial design within contemporary residential living. The project investigates how non-orthogonal geometry can become an opportunity for creating continuity, softness and emotional calmness rather than complexity.

Submitting the project to an international competition felt like an opportunity to share this architectural approach within a broader design dialogue and present a more restrained, sensory and human-centered vision of contemporary interiors.

The project reinforced my understanding that limitations and unusual spatial conditions can become the strongest generators of architectural identity. Curved Apartment taught me how geometry, movement and integrated detailing can shape atmosphere and emotional experience simultaneously.

It also deepened my sensitivity toward tactile materiality, hidden technical integration and the importance of spatial continuity in compact residential environments.

Curved Apartment was conceived not only as a functional residential interior, but as a continuous sensory environment shaped by geometry, light and atmosphere.

The project explores how softness, restraint and integrated architecture can create emotional comfort and timeless spatial harmony without relying on excessive formal expression. More than an object, the interior was designed as an immersive living experience where every element contributes to continuity, calmness and clarity.

The main focus was to create a residence offering spatial freedom, privacy and emotional balance through disciplined geometry and carefully controlled composition. I wanted the architecture to feel strong and self-assured while remaining calm, restrained and highly functional.

An important objective was creating a clear duality between the anchored stone base and the suspended upper pavilion. This relationship between heaviness and lightness defines the identity of the house. The sequence of spaces was carefully composed so that movement through the residence continuously reveals new perspectives, framed views and relationships with the surrounding landscape.

Villa Horizon is currently under development, and the next stages focus on material precision, structural optimization and preserving the architectural clarity of the original concept during realization.

In the future, I would also like this project to become part of a broader architectural dialogue about contemporary residential architecture rooted in restraint, proportion and emotional atmosphere rather than purely visual spectacle.

The conceptual phase evolved through many stages of refinement. While the main architectural gesture emerged relatively early, the process of balancing proportions, functionality, structural logic and spatial atmosphere required extensive development.

Projects such as Villa Horizon are not created instantly. They mature gradually through observation, iteration and careful control of composition, light and spatial relationships.

The project was commissioned by a private investor seeking a residence defined by openness, privacy and a strong relationship with panoramic landscape. The client expected a house with clear spatial organization and a calm but expressive architectural identity.

At the same time, the project also became an opportunity to explore ideas that are central to my architectural philosophy — disciplined geometry, horizontal composition, architectural restraint and emotional atmosphere created through proportion, light and materiality.

Villa Horizon is a bespoke architectural project developed specifically for a private client and is currently in the realization phase. The design remains fully connected to the original architectural vision developed by Eklekt Atelier.

At this stage, the project is not intended for mass production or commercial replication because its identity is strongly tied to its specific landscape, spatial composition and contextual relationship with the site.

Residential architecture allows the deepest exploration of atmosphere, privacy and emotional connection between people and space. I am particularly interested in houses that function not only as buildings, but as complete spatial experiences shaped by light, landscape and movement.

Villa Horizon became an opportunity to investigate architecture as a controlled spatial system where every axis, proportion and transition contributes to emotional calmness and clarity.

The project was influenced by modernist architecture, Mediterranean minimalism and architects who work with restraint, clarity and spatial atmosphere such as Tadao Ando, John Pawson and Mies van der Rohe.

I was also strongly inspired by classical architectural composition and the relationship between architecture and horizon often present in Mediterranean landscapes. Beyond architecture itself, photography, cinema and observation of natural light also influenced the emotional direction of the project.

The project was designed for people who value privacy, spatial freedom and timeless architecture rooted in clarity and emotional atmosphere rather than decorative excess. It is intended for individuals who appreciate disciplined geometry, natural materials and architecture that creates calmness and connection with landscape.

What distinguishes Villa Horizon is the disciplined relationship between monumentality and restraint. The project does not rely on excessive formal expression, but instead creates architectural presence through proportion, horizontality and controlled spatial composition.

What distinguishes Villa Horizon is the disciplined relationship between monumentality and restraint. The project does not rely on excessive formal expression, but instead creates architectural presence through proportion, horizontality and controlled spatial composition.

The duality between the anchored stone base and the suspended pavilion creates a strong architectural tension, while the fully glazed swimming pool positioned along the main compositional axis becomes the emotional center of the house.

Most importantly, this is not architecture designed merely to occupy a place — it is architecture that intentionally creates one.

The name Villa Horizon reflects the fundamental idea of the project — architecture defined by horizontality, openness and relationship with distant panoramic views. The horizon became both a visual and conceptual reference shaping the entire spatial composition.

The name also expresses the emotional character of the residence: calm, expansive and strongly connected to landscape, light and spatial continuity.

The project combined conceptual sketching, digital architectural modeling and advanced visualization tools throughout the design process. However, beyond software, the most important tools were observation, spatial intuition and continuous refinement of proportion and atmosphere.

Photography and studies of light also played an important role in shaping the emotional direction of the architecture.

One of the most unique aspects of Villa Horizon is the architectural dialogue between mass and lightness expressed through two contrasting volumes — the grounded stone base and the suspended upper pavilion.

Another defining element is the fully glazed swimming pool positioned at the center of the composition, creating an immersive spatial experience that blurs the boundary between architecture, water and landscape.

The project was developed at Eklekt Atelier in collaboration with a multidisciplinary design team and technical consultants. The process involved close coordination with structural specialists, engineers and professionals responsible for technical optimization and realization strategy.

Because the project relies heavily on structural clarity, large-span spaces and panoramic glazing, collaboration with specialized technical experts was essential in maintaining the purity and precision of the architectural concept.

Technology played an important supporting role in developing the architectural clarity and spatial precision of Villa Horizon. Advanced digital modeling and visualization tools allowed careful control of proportions, panoramic openings, structural spans and the relationship between interior and exterior spaces.

At the same time, technology was never treated as the driving force of the project. The architecture is fundamentally based on composition, atmosphere, functionality and emotional experience rather than technological expression itself. In this project, technology serves the architecture quietly and precisely.

The project was strongly influenced by contextual and spatial analysis rather than purely numerical research. Particular attention was given to panoramic orientation, sunlight exposure, topography, privacy and the sequence of movement throughout the residence.

The design process also involved studying proportions, spatial perception and relationships between mass, transparency and horizon. Material research and structural coordination were equally important, especially regarding large-span spaces, panoramic glazing and integration of the swimming pool within the architectural composition.

One of the main challenges was maintaining the purity and discipline of the architectural composition while resolving highly complex structural and technical requirements. The project relies on large cantilevers, expansive glazing and the integration of a fully glazed swimming pool positioned along the main compositional axis.

Another important challenge was balancing monumentality with emotional calmness and functionality. Every design decision required careful control so the architecture could remain expressive and self-assured without becoming excessive or visually overloaded.

Villa Horizon represents many values that define my architectural approach today — clarity, restraint, proportion, functionality and strong emotional connection with landscape. Submitting the project to an international competition felt like a natural opportunity to present this architectural philosophy within a broader global context.

International competitions also create valuable dialogue between different cultural and architectural perspectives, which I believe is important for the continued evolution of contemporary architecture.

Villa Horizon reinforced my belief that strong architecture often emerges through restraint, precision and clarity rather than complexity. The project deepened my understanding of how proportion, spatial sequence and controlled geometry can shape emotional experience.

It also strengthened my sensitivity toward the relationship between architecture, structure and landscape. Working on this project required balancing technical discipline with atmosphere and emotional intention at every scale of the design process.

Villa Horizon was never intended to be architecture based purely on visual spectacle. The project was conceived as a disciplined spatial system where landscape, light, materiality and proportion work together to create emotional calmness and timeless presence.

More than creating an isolated object, the intention was to design architecture that establishes its own atmosphere and identity within the landscape — a place defined by clarity, horizon and spatial continuity.

I always dreamed of becoming an architect. What motivates me most is the possibility of transforming emotions, atmosphere and human experience into physical space. Architecture has the power to influence how people feel, live and interact with their surroundings every day.

I am inspired by timeless spaces, natural materials, silence, light and the emotional impact that architecture can create without excessive gestures. Designing allows me to combine creativity, functionality and sensitivity into something lasting and meaningful.

It was entirely my own path and passion. From an early age, I was fascinated by architecture, cities, landscapes and the emotional qualities of space. Becoming an architect was never accidental for me — it was something I always naturally gravitated toward. Over the years, this fascination evolved into a professional and personal commitment to creating architecture that is timeless, functional and emotionally engaging.

I primarily design private residences, interiors and landscape-oriented architectural projects. I am especially interested in creating spaces where architecture, interiors and nature form one coherent experience. In the future, I would like to design more projects located in Mediterranean environments, particularly in Greece, where architecture can interact strongly with landscape, light, water and topography. I am also very interested in hospitality architecture and projects that create immersive emotional experiences through simplicity, functionality and atmosphere.

Young designers should focus on developing their own sensitivity instead of chasing trends or visibility. They should observe real architecture, travel, study proportions, materials and light, and learn patience because meaningful design takes time and maturity.

It is also important to understand that aesthetics alone are not enough. Truly timeless architecture emerges when beauty naturally grows out of functionality, clarity and emotional honesty.

A good designer can create visually attractive spaces, but a great designer creates architecture that people can emotionally connect with for many years. Great design is not only about aesthetics — it is about atmosphere, function, proportion, silence and the ability to create timeless experiences.

I believe great designers understand restraint. They know when to simplify, when to remove unnecessary elements and how to create emotional power through clarity rather than excess.

For me, truly good design feels natural, timeless and emotionally balanced. It should function intuitively and improve the quality of everyday life without demanding constant attention.

I evaluate design through proportion, functionality, atmosphere, materiality and the emotional experience it creates. In my opinion, the best architecture is the one where form naturally emerges from function, light and spatial logic.

Good design improves the quality of life on both emotional and practical levels. Architecture influences how we feel, think, rest and interact with our environment every day. Well-designed spaces create calmness, comfort and emotional well-being.

Investing in good design also means investing in longevity and timelessness. Spaces created with care, functionality and honest materials age much better and remain valuable for decades.

I would love to design a large-scale architectural retreat integrated with landscape and nature — a place combining architecture, art, water, light and silence into one immersive experience. It could function as a cultural, hospitality or contemplative space where people reconnect with themselves and their surroundings.

I am most interested in designing for people who value authenticity, atmosphere and timelessness rather than temporary trends or purely visual impact.

One of my dream projects would be designing a Mediterranean residence or boutique hospitality complex located on a coastal landscape where architecture becomes almost inseparable from the horizon, light and water.

I am fascinated by projects where simplicity, natural materials and landscape can create a deeply emotional and timeless experience. I would also love to design spaces that integrate architecture with art, photography and cultural experience.

I believe the most important ingredient is sensitivity — the ability to observe light, proportions, atmosphere and human emotions. Patience and consistency are equally important because meaningful architecture cannot be created instantly.

My approach is based on balancing functionality with emotional depth. In my projects, aesthetics always emerge naturally from logic, proportion and the way people experience space.

I deeply admire architects such as Tadao Ando, John Pawson and Ludwig Mies van der Rohe for their understanding of simplicity, atmosphere and restraint. I am also strongly inspired by classical Greek architecture and Mediterranean spatial culture.

Beyond architecture itself, I draw inspiration from photography, painting, cinema and travel. Observing landscapes, textures, light and cultural rituals often influences my work more than contemporary trends.

I admire projects that create strong emotional experiences through simplicity and proportion. Works such as Tadao Ando’s Church of the Light or John Pawson’s minimalist spaces inspire me because they prove that architecture does not need excessive complexity to become powerful and memorable.

I am also fascinated by ancient Greek architecture because of its timeless harmony, clarity and relationship with landscape and light.

One of the most important projects in my career was the design of a public park commissioned by the City of Kraków. What made this project particularly meaningful was the opportunity to shape public space in a way that combined functionality, landscape and emotional experience.

The project taught me how architecture and landscape can positively influence everyday urban life and create stronger relationships between people and nature. Its greatest value was not only visual coherence, but also its social and spatial impact.

I believe becoming a better designer starts with developing sensitivity and learning how to truly observe the world. Traveling, experiencing different cultures, studying light, materials, landscapes and everyday human behavior are all essential. Personally, I learned a lot through photography, painting and observing architecture beyond trends and social media.

I also believe designers should focus on understanding functionality and human experience rather than only aesthetics. In my own journey, studying Bauhaus principles and classical architecture taught me that timeless beauty always comes from proportion, clarity and purpose.

If I had not become an architect, I would most likely have pursued something connected to visual arts, photography or painting. I have always been strongly drawn toward artistic expression, atmosphere and observation. Creativity was always a natural part of my personality, so I believe I would still be creating in one form or another.

For me, design is the ability to transform emotions, ideas and functionality into meaningful experiences. Good design should improve everyday life while creating emotional connection and harmony between people and their environment.

I see architecture and design not as isolated objects, but as part of culture, memory and human experience. Design should feel natural, timeless and emotionally authentic.

My biggest support has always come from the people closest to me as well as from the experiences and environments that shaped my sensitivity over the years. Living in Greece, experiencing Mediterranean culture and being surrounded by art, architecture and nature had a profound influence on my development.

I am also grateful to my clients, collaborators and team because architecture is always a collective process built on trust, dialogue and shared vision.

Continuous observation, curiosity and consistency played the biggest role in my development. I always try to learn not only from architecture, but also from photography, painting, cinema, travel and cultural experiences.

I believe one of the most important lessons was understanding that truly timeless architecture is not created through excess, but through restraint, proportion, functionality and emotional depth.

One of the greatest challenges was balancing creativity with the realities of business, responsibility and technical limitations. Architecture requires patience because meaningful projects take years to develop and realize.

Another challenge was staying authentic in a world strongly influenced by trends and fast visual consumption. I always tried to remain focused on timeless values, functionality and emotional quality instead of temporary popularity.

Designers should present their work honestly and emotionally, not only visually. A project should communicate its atmosphere, function, story and relationship with people and place rather than simply trying to impress aesthetically.

I believe presentation is also about clarity and authenticity. Strong architecture usually speaks through proportion, materials, light and atmosphere without needing excessive explanation.

In the future, I would like to further develop architecture that creates strong emotional relationships between landscape, light, water and built form. I am particularly interested in Mediterranean residential and hospitality projects where architecture can become deeply integrated with nature and atmosphere.

You can expect projects that continue exploring minimalism, timeless functionality, strong geometry and emotional calmness through natural materials and spatial composition.

My ultimate goal is to create architecture that remains emotionally meaningful and timeless for generations. I want my projects to improve the quality of life quietly and naturally, without relying on temporary trends or unnecessary complexity.

I would also like to build a recognizable architectural language that connects minimalism, functionality, landscape and emotional experience into one coherent vision.

I believe people expect authenticity, vision and the ability to create spaces that are both functional and emotionally engaging. Clients are often searching not only for aesthetics, but also for atmosphere, identity and timelessness.

An architect should understand how people truly live and create spaces that feel natural, balanced and deeply connected to their everyday experience.

Good design improves everyday life by creating healthier, calmer and more meaningful environments. Architecture influences emotions, relationships, behavior and the way people experience cities and nature.

I believe thoughtful design can reconnect people with simplicity, natural materials, light and emotional well-being in a world that is increasingly fast and overstimulated.

Currently, I am working on several private residential projects that continue my exploration of minimal architecture strongly connected to landscape and natural light. I am especially excited about projects where architecture interacts closely with water, horizon and topography.

I am also interested in expanding internationally and developing future projects in Mediterranean environments, particularly in Greece.

The projects that gave me the greatest satisfaction were those where architecture, interiors and landscape became one emotional and coherent experience. I especially value projects where simplicity and functionality create strong atmosphere without unnecessary complexity.

Public space projects and residential architecture both taught me how deeply design can influence everyday human experience, emotions and connection to nature.

I would like to see a stronger return to authenticity, timelessness and human-centered design instead of architecture driven mainly by trends, algorithms and visual consumption. Today, many projects are created primarily to look attractive on screens or social media, often losing emotional depth, functionality and long-term value.

I believe the future of design should focus more on natural materials, sustainability, emotional well-being and meaningful relationships between people, architecture and nature. I would also like to see greater appreciation for simplicity, craftsmanship and projects that age beautifully over time instead of constantly chasing novelty.

I think architecture and design are moving toward more emotional, sensory and experience-oriented spaces. In a world dominated by technology and overstimulation, people increasingly seek calmness, authenticity and connection to nature.

At the same time, technology and artificial intelligence will continue to influence the design process, but I believe human sensitivity, intuition and cultural understanding will remain irreplaceable. The future belongs to architecture that balances innovation with timeless human needs.

It depends on the scale and complexity of the project. Some concepts emerge very intuitively and quickly, while refining proportions, functionality and atmosphere can take months or even years. In architecture, the process continues evolving from the first sketch to the final realization.

I believe meaningful projects need time because architecture matures through observation, iteration and understanding of the space and its users.

I always begin by understanding the place, landscape, light and emotional context of the project. Before thinking about form, I try to understand how people will live, move and experience the space emotionally.

The first stage is usually intuitive — sketches, atmosphere references, proportions and spatial relationships. Functionality is always fundamental from the beginning because in my projects aesthetics naturally emerge from use, logic and human experience.

I believe architecture should create emotion before impression. My goal is always to create spaces that feel timeless, calm and naturally connected to people and their environment.

I believe truly meaningful design creates its own identity rather than following trends. Trends are temporary by nature, while architecture should remain relevant and emotionally valuable for decades.

Good design can influence trends, but the strongest projects usually emerge from authenticity, functionality and timeless thinking rather than from trying to follow what is currently fashionable.

Technology is an important tool that helps communicate, develop and refine ideas, but it should never replace human intuition and sensitivity. I use digital tools extensively during the design and visualization process, however the emotional quality of architecture still comes from observation, experience and understanding of space.

For me, technology should support architecture, not dominate it.

I use professional architectural and visualization software throughout the design process, combined with conceptual sketching and visual studies. Beyond digital tools, photography also plays an important role in the way I observe light, textures, proportions and atmosphere.

I believe tools themselves are secondary — what matters most is the designer’s sensitivity and ability to create meaningful spatial experiences.

Materials, color and atmosphere are fundamental because they directly influence emotions and perception of space. I work primarily with natural materials such as stone, wood, concrete and textured surfaces because they age beautifully and create timeless emotional quality.

I am especially interested in how natural light interacts with materials throughout the day, shaping shadow, depth and atmosphere. For me, ambiance is often more important than decorative form itself.

I would like people to ask how the space feels rather than only how it looks. Emotional experience, atmosphere, light and functionality are far more important to me than purely visual impact.

I believe architecture becomes meaningful when people emotionally connect with it and naturally feel calm, comfort and identity within the space.

The first thing I notice is whether the design feels honest, timeless and emotionally coherent. I admire projects where simplicity, proportion and functionality work together naturally without unnecessary complexity.

The best designs usually create strong emotional impact quietly and effortlessly.

I strongly believe architecture is a collaborative process. My ideal collaborators are people who value authenticity, functionality, attention to detail and emotional quality in design.

The best projects emerge through dialogue between architects, clients, engineers, craftsmen and artists who share a common sensitivity and vision.

The greatest influence on my work came from people connected to art, craftsmanship, architecture and Mediterranean culture. Living in Greece and observing classical architecture, local materials, landscapes and everyday life strongly shaped my understanding of timelessness and spatial atmosphere.

I am also deeply inspired by artists, photographers and filmmakers because they teach sensitivity toward light, composition and emotion.

Books related to architecture, minimalism, classical proportions, art and philosophy had the strongest influence on me. However, I believe direct experience — traveling, observing architecture, painting, photography and experiencing places physically — shaped my understanding of space even more profoundly than books alone.

I am particularly inspired by works exploring simplicity, atmosphere, phenomenology and the emotional relationship between people and architecture.

I developed my skills gradually through observation, experience, travel and continuous exploration of architecture, art and human behavior. My education in applied arts based on Bauhaus principles gave me strong foundations in functionality, proportion and material awareness, while living in Greece deeply shaped my sensitivity toward classical architecture, light and timeless spatial composition.

Beyond formal education, photography, painting and studying cultural environments played an essential role in developing my understanding of atmosphere and emotional experience in architecture. I believe becoming a better designer is a lifelong process of observation, refinement and learning how to simplify.

I would love to speak with architects and artists such as Tadao Ando, Ludwig Mies van der Rohe or ancient Greek architects whose work continues to influence architecture centuries later. I would also be fascinated to discuss space, light and atmosphere with painters, photographers and filmmakers because architecture is deeply connected to visual emotion and perception.

More than technical discussions, I would be interested in understanding how they perceived silence, proportion, timelessness and human experience through their work.

Recognition and awards are very meaningful because they confirm that architecture can emotionally resonate beyond local boundaries and personal perspective. They also create opportunities to share ideas and connect with people internationally.

At the same time, I try to remain focused on the work itself rather than recognition. For me, architecture is still primarily about creating authentic, timeless and functional spaces rather than pursuing visibility or fame.

I am naturally drawn to earthy and neutral colors inspired by stone, sand, concrete, wood and Mediterranean light. One of my favorite places is Greece because of its unique relationship between landscape, architecture, culture and atmosphere.

I also deeply appreciate regional cuisine and culinary traditions during my travels because food often reflects the identity and rhythm of a place. I enjoy simplicity and authenticity both in architecture and lifestyle. Rather than specific brands, I value timeless craftsmanship, honest materials and objects designed with clarity and purpose.

One memorable experience was visiting a construction site very early in the morning after heavy rain, expecting complete chaos, only to discover that the reflections of water and unfinished concrete unexpectedly created one of the most atmospheric moments of the entire project. It reminded me that architecture is often shaped not only by design itself, but also by unpredictable moments, nature and light.

Experiences like this taught me to observe spaces emotionally and intuitively, even during imperfect stages of realization.

The most satisfying moments are when an abstract idea begins to transform into a real atmosphere and coherent space. I am motivated by the process itself — observing light, refining proportions, selecting materials and seeing how architecture slowly gains emotional identity.

Travel, photography, painting and contact with nature also help me stay inspired and emotionally connected to the creative process.

From a very young age, it was clear that I was strongly drawn toward architecture, drawing, visual arts and spatial imagination. I was fascinated by cities, buildings, landscapes and the emotional feeling certain spaces could create.

Becoming an architect was always a natural dream for me, even long before I fully understood what the profession involved.

I believe technology will continue transforming the way we design and live, but fundamental human needs will remain unchanged. People will always seek light, nature, emotional comfort, beauty and meaningful connection with their surroundings.

In the future, I think architecture will become more integrated with sustainability, landscape and sensory experience. At the same time, timeless principles such as proportion, simplicity and functionality will remain universally important regardless of technological progress.

I would like people to understand that my architecture is deeply connected to emotion, atmosphere and human experience rather than purely visual effect. I believe good design should feel calm, timeless and naturally integrated with life and landscape.

My work is strongly influenced by Mediterranean culture, classical architecture, photography, painting and observation of everyday rituals. In every project, I try to create spaces where functionality, simplicity and emotional depth coexist in a natural and authentic way.

I Przemyslaw Cepielik represent Eklekt Atelier which is a modern form of a company / design house that has a wide range of services in the field of Architecture, Interiors and Greenery. We work with owners of apartments, houses, office spaces on new construction or renovation. As part of the cooperation, we offer a range of services, from project preparation through supervision or turnkey investment.

An opportunity to change your surroundings to better place.

I love designing houses, along with their interiors and surroundings, comprehensively. Only then can we guarantee the creation of a coherent home with its interior, as I adhere to the doctrine of designing a home from the inside out.

One of my proudest designs is the award-winning apartment featured in A'Design 2023. Despite its modest size, every aspect was crafted according to our vision from start to finish. The client bestowed us with complete trust, making the project particularly gratifying.

The first project I designed for a company was the renovation of a single-family house, involving basement expansion to seamlessly integrate with the home's surroundings.

In each field in which I design I love to use natural materials, such as Stone, wood, glass, as long as it is natural.

I feel most creative when I have the complete trust of the client.

During Designing, I focus most on The Idea, function, how to obtain Timeless effect

When I design, I feel fulfillment, I sense that I can accomplish anything.

When I see a realized design, I feel proud—a parental emotion.

Crafting a successful design is an artistry that thrives on collaboration with an exceptional client. The alchemy begins with seamless chemistry, shared vision, and a client endowed with perceptive insight, dreams, and passion.

When evaluating a design as good or bad, several key aspects come into consideration, and the importance of each may vary based on the specific context. Like Functionality, Aesthetics, Context, Innovation, Simplicity, Execution ability,

Designers bear important responsibilities toward society and the environment, as their work has a profound impact on the world. In every design we consider: Sustainability, Accessibility, Problem Solving, Ergonomic.

The design field is undergoing a transformative journey in the era of computers and AI. While there are concerns about potential challenges to creativity, I am optimistic about the future. Rather than perceiving technology as a threat, I envision it as an enabler. As we progress, I hope for the development of more accessible tools that not only safeguard but also amplify creativity. By embracing user-friendly interfaces, intuitive platforms, and collaborative technologies, we can unlock new dimensions of creative expression and ensure that the future of design is shaped by a harmonious synergy between human ingenuity and technological innovation.

In my field we do not organise exhibitions.

In my work, I draw inspiration from various fields, believing that creativity is a personal and dynamic process. I maintain a diverse set of interests and stay open to influences from different sources to keep my design thinking fresh and innovative. Antique golden proportions, the study of old cultures, and exploration of art and culture expand my perspective. During travels, I actively observe and study others' work, ensuring that I remain original and authentic without copying solutions.

My design style is versatile, and I find comfort in adapting to various styles. However, my preference lies in the modern classic style, and I particularly enjoy blending different styles. This inclination led to the establishment of my company, EKlekt Atelier, deriving its name from eclecticism. I believe in harmoniously merging elements from diverse styles to create unique and personalized designs that reflect the client's vision while adding a touch of innovation.

My journey started in Poland, but life led me to Greece for 16 transformative years. There, I delved into ancient Greek culture, embraced neoclassicism, and refined my skills in crafting spaces thoughtfully.

During this period, I developed a design approach that seamlessly blends bold innovation with a profound respect for culture, environment, and structural intricacies, navigating challenges like recurrent seismic activity. My artistic pursuits included mastering mosaic and stained glass art.

Upon returning to Poland, I committed to formal education in architecture and urban design. Since then, I've founded my architectural firm, seamlessly operating in both Poland and Greece. This global presence embodies a fusion of diverse cultural influences and innovative design philosophies that shape my professional journey.

As an architect with a passion for artistry, my work with companies is like crafting a beautiful symphony of form and function. Each project is a canvas where I blend the practical needs of the company with its unique aesthetic identity.

I dive deep into the company's culture, values, and vision to infuse artistic elements that resonate with its spirit. Whether it's an office, retail space, or industrial facility, my goal is to create environments that inspire and enhance daily experiences.

Collaboration is key. I engage in a creative dialogue with company stakeholders, ensuring the final design not only meets functional needs but also tells the story of the company. By bringing my artistic soul into the process, I aim to turn corporate spaces into living works of art — spaces that breathe life into the company's mission and leave a lasting impression on everyone who encounters them.

Companies should allow designers in their design department to be something opposite to what they represent themselves, granting freedom for creativity and bold approaches.

In my design process, I focus on understanding the client by delving into their perceptions, identifying constraints—specifically those tied to their perspectives—and exploring their dreams. Subsequently, I strive to find harmony among functionality, ergonomics, economic considerations, and the client's perception.

My favorite design items at my home:

Kitchen Worktop - Brazilian Granite "Avocatus":
A touch of elegance in my kitchen, the Brazilian granite "Avocatus" worktop brings a natural and sophisticated charm, making it a favorite gathering spot.

Handmade Dining Table from Oak:
Crafted with care, my oak dining table boasts a natural shape that adds warmth to mealtime gatherings. Its handmade touch gives it a unique and personal feel.

Glamora Wallpaper:
The Glamora wallpaper, chosen to complement the green stone in the kitchen, not only adds a stylish touch but also weaves a visual thread that ties different spaces together seamlessly.

Porcelanosa Wall Tiles with Natural Textile Surface:
The Porcelanosa wall tiles with a natural textile surface bring a tactile dimension to my walls. It's not just about appearance; it's about creating a sensory experience in my living space.

Designed by Me Lighting:
Lighting designed by me completes the ambiance. These fixtures, crafted with a personal touch, not only illuminate but also contribute to the unique atmosphere, making each room special.

These items aren't just pieces of design; they're a reflection of my style, comfort, and the essence of what makes my home uniquely mine.

Description of my day: I don't wake up too early due to often working late nights, dedicating a lot of time to creating in silence. I always have breakfast and head to my studio. At the studio, I need to allocate time to my colleagues, employees, and contractors. Subsequently, I have to reconcile various aspects of running a business, which functions like any other company but involves the creative aspects that require focus, silence, inspiration, flair, and Muse :)

Do not try to design for trends or social media approval. Focus on creating architecture and spaces that have emotion, atmosphere and authenticity. Travel as much as possible, observe light, materials and proportions in real life, not only on screens. Learn patience — good design needs time, maturity and many iterations. Most importantly, develop your own sensitivity and visual language instead of copying what is currently popular.

One of the greatest positives is the ability to shape how people experience space and everyday life. Design allows you to transform emotions, memories and ideas into something physical and lasting. At the same time, it is also a very demanding profession that requires balancing creativity with business, technical limitations, deadlines and responsibility. The biggest challenge is probably maintaining creative sensitivity while constantly operating under pressure.

My golden rule is that architecture should create emotion before it creates impression. I believe simplicity, proportion, light and atmosphere are far more timeless than excessive form or unnecessary gestures. Good design should feel natural, calm and inevitable.

Sensitivity and observation are the most important skills. Beyond technical knowledge, a designer should understand proportions, human behavior, light, materials and emotions. Communication is equally important because architecture is always created through collaboration with clients, consultants and craftsmen. Patience and consistency are also essential.

My process combines digital and intuitive tools. I use professional architectural software and visualization tools daily, but I still value sketching and physical references. Inspiration often comes from travel, cinema, photography, art, fashion and nature rather than architecture itself. I also spend a lot of time studying materials, textures and the way natural light interacts with space throughout the day.

I try to divide my time between creative work and operational responsibilities. The most important design decisions usually happen during quiet hours without distractions, often late in the evening. I believe focus and clarity are more important than working endlessly. Good organization and a strong team are essential to maintaining balance between creativity and business.

It depends on the scale and complexity of the project. Some concepts appear very quickly, almost intuitively, while refining them can take months. In architecture, the process often evolves continuously from the first sketch to the final realization. I believe good projects mature over time and gain depth through the process itself.

Clients often ask how to create a timeless space that will still feel relevant and emotional many years from now. They are usually searching not only for aesthetics, but also for identity, atmosphere and a sense of belonging within architecture.

One of the most important experiences in my career was learning how to combine architecture, interiors and atmosphere into one coherent vision. Over the years, working on private residences taught me that architecture is not only about form, but also about emotion, light, materials and the way people experience space daily. Equally important was building my own studio and understanding how to balance creativity with responsibility, communication and business management.

Our clients are primarily private investors who value individuality, timeless aesthetics and emotional quality in architecture. Many of them are looking for spaces that reflect their lifestyle and personal identity rather than following temporary trends. We also collaborate with clients interested in high-end interiors and bespoke residential projects in Poland and abroad.

I enjoy residential architecture the most because it allows for creating deeply personal and emotional spaces. Designing homes gives the opportunity to shape everyday rituals, relationships with light, nature and privacy. I am especially drawn to projects where architecture becomes calm, sculptural and strongly connected to the surrounding landscape.

My future plans involve expanding Eklekt Atelier internationally and developing projects that combine architecture, interiors and landscape into one holistic experience. I am particularly interested in creating more projects in Mediterranean environments, especially in Greece, while continuing to evolve a strong and recognizable architectural language rooted in atmosphere, minimalism and timelessness.

Architecture is always a collaborative process. I develop the main creative direction and conceptual vision personally, while working closely with my team, consultants, engineers and craftsmen throughout the entire process. I believe the best projects are created through dialogue, trust and attention to detail at every stage.

Currently, we are working on several private residential projects that continue our exploration of strong geometric forms integrated with landscape and natural light. Many of these projects focus on creating architecture that feels calm, immersive and emotionally connected to its environment. I am particularly interested in further developing the relationship between architecture, water and horizon within future designs.

People can contact me through Eklekt Atelier’s official website at eklekt.pl or via our social media channels. We are always open to meaningful collaborations, architectural discussions and international projects.

I believe architecture should slow people down and reconnect them with space, light and nature. In a world dominated by speed and visual noise, I see design as an opportunity to create calmness, atmosphere and lasting emotional experiences. For me, timeless architecture is not about trends, but about creating spaces that continue to feel meaningful many years later.

One of the greatest challenges in Curved Residential was ensuring that functionality remained completely present while becoming almost entirely invisible. The project's minimal appearance is the result of extensive technical coordination rather than visual simplification. Every concealed appliance, storage volume, and service element had to be carefully integrated without interrupting the apartment's sculptural character.The building's curved geometry ruled out the use of conventional modular furniture systems. Every built-in component was individually designed, measured, and detailed to follow continuously changing radii while accommodating appliances, ventilation, electrical installations, and storage requirements. This demanded close collaboration with specialist craftsmen, where millimetre-level precision became essential to maintaining uninterrupted architectural lines.An equally important aspect was reducing visual noise. Handle-free cabinetry, concealed doors, integrated ventilation details, and precisely aligned shadow gaps allowed technical components to disappear into the architecture instead of competing with it. At the same time, accessibility and everyday usability could never be compromised. Every hidden element remained intuitive to operate, comfortable to maintain, and fully adapted to the client's daily routines.I believe successful minimalism is never achieved by removing functionality—it is achieved by integrating it so intelligently that it becomes almost imperceptible. In Curved Residential, engineering, craftsmanship, and architecture work together to create an environment where technical complexity quietly supports a sense of calm, clarity, and effortless living.

The decision to minimise conventional doors was motivated by the desire to create an uninterrupted living experience rather than a sequence of isolated rooms. I wanted the apartment to be perceived as one coherent environment where individual functions emerge naturally through architectural composition instead of being defined by physical barriers. In this project, openness became a tool for improving both spatial perception and everyday comfort.Rather than relying on doors to separate activities, I used changes in ceiling height, bespoke furniture, lighting, material transitions, and carefully composed sightlines to establish subtle distinctions between public and private areas. These architectural cues allow each part of the apartment to maintain its own identity while remaining visually connected to the whole. As occupants move through the space, they experience a gradual sequence of perspectives instead of abrupt transitions.This strategy also transformed the way natural light behaves throughout the apartment. Without unnecessary partitions interrupting its path, daylight flows freely across the interior, enhancing the sculptural quality of the curved walls and reinforcing the sense of openness despite the relatively compact footprint. The apartment feels more generous because visual continuity replaces physical fragmentation.Ultimately, I believe architecture should guide experience rather than simply divide space. By replacing conventional boundaries with carefully orchestrated spatial relationships, Curved Residential creates an environment that feels intuitive, welcoming, and emotionally engaging. The absence of doors is therefore not a stylistic gesture but an architectural decision that strengthens the project's overall narrative and encourages a more fluid way of living.

Lighting was conceived as one of the project's primary architectural tools rather than as a finishing layer applied at the end of the design process. From the earliest sketches, I considered light as something capable of revealing form, shaping atmosphere, and influencing the way people experience the apartment throughout the day. My objective was not to illuminate objects but to reveal the character of the architecture itself.The concealed busbar system became an essential component because it allowed the technical infrastructure to disappear almost entirely. Instead of introducing visible tracks or prominent fixtures that could interrupt the purity of the interior, the lighting system was seamlessly integrated into the ceiling composition. This solution provided both visual clarity and long-term flexibility, allowing lighting scenarios to evolve without compromising the architectural concept.Designing illumination within a continuously curved environment required careful coordination between geometry, materiality, and engineering. Every luminaire was positioned to emphasize the soft transitions between surfaces, avoiding harsh contrasts while allowing light to gently model the apartment's sculptural forms. Indirect illumination was used extensively to create depth and atmosphere, while carefully selected accent lighting highlighted key architectural features without becoming visually dominant.Equally important was the emotional quality of light. A consistent warm colour temperature was chosen to reinforce the tactile richness of natural materials and establish a calm, welcoming atmosphere from morning until evening. For me, successful lighting is almost invisible—it quietly guides movement, enhances proportions, and strengthens the emotional connection between people and the spaces they inhabit. In Curved Residential, illumination became an integral part of the architecture, revealing its identity rather than competing with it.

Material selection was guided by a simple principle: every surface should contribute not only to the visual composition but also to the emotional experience of living in the space. I wanted the apartment to communicate through texture, weight, temperature, and the way materials interact with natural light. Rather than creating contrast through decoration, I sought harmony through carefully balanced tactile qualities.Khalo stone became one of the defining materials because it possesses a remarkable balance between strength and refinement. Its natural veining introduces subtle movement that resonates with the apartment's flowing architectural language without becoming visually overwhelming. Instead of serving as an ornamental feature, the stone establishes a sense of permanence and authenticity, grounding the interior with timeless elegance.To complement this expressive natural material, I introduced custom fabric-feel surfaces that provide warmth and softness. Their matte texture absorbs light differently, creating gentle visual transitions and reducing reflections that could disrupt the calm atmosphere. These surfaces also invite touch, adding another sensory dimension to the experience of the apartment and reinforcing the idea that interiors should be felt as much as they are seen.Material continuity played an equally significant role. Similar finishes extend across architectural elements, bespoke furniture, and integrated storage, dissolving the distinction between individual objects and the surrounding space. This consistency allows the apartment to be perceived as one coherent composition rather than a collection of separate components.For me, materials are never selected because they are fashionable. They are chosen for their ability to shape atmosphere, age gracefully, and establish an emotional dialogue between architecture and its occupants. In Curved Residential, the restrained palette supports the sculptural geometry while creating an environment that feels timeless, serene, and deeply human.

My starting point was never to make the apartment appear larger than it actually is. Instead, I wanted to maximize the quality of the space by questioning conventional planning principles. I believe that successful residential design is measured not by floor area but by how naturally a home supports everyday life, encourages movement, and creates an emotional sense of openness.The design process focused on removing unnecessary interruptions rather than adding more elements. Every square metre was carefully evaluated to eliminate redundant circulation, simplify functional relationships, and allow spaces to perform multiple roles without feeling overloaded. Instead of relying on partitions, the apartment is organised through carefully positioned architectural volumes, bespoke furniture, lighting compositions, and subtle shifts in proportion. These elements define individual functions while preserving a clear and uninterrupted spatial experience.The curved geometry also became an advantage rather than a limitation. Smooth transitions naturally guide movement, soften circulation, and encourage intuitive interaction with the space. As perspectives continuously evolve, the apartment reveals itself gradually, creating a richness of experience that exceeds its physical dimensions. This dynamic quality makes the interior feel generous without relying on visual illusion or excessive minimalism.Every bespoke solution was developed with equal attention to aesthetics and practicality. Storage, technical installations, and everyday functions were integrated into the architectural composition so they support rather than dominate the living environment. The result is a home where efficiency is achieved through thoughtful design rather than compromise.Ultimately, Curved Residential reflects my belief that architecture should enrich everyday life through intelligence rather than excess. Even within a compact urban apartment, careful planning, precise craftsmanship, and a coherent design vision can create spaces that feel generous, functional, and emotionally rewarding far beyond what their size might suggest.

The bespoke furniture in Curved Residential was conceived as an architectural extension rather than a collection of independent objects. My intention was to create an interior where furniture, walls, ceilings, and materials speak the same design language, allowing every element to contribute to a unified spatial experience. Nothing was designed to stand out individually; instead, every piece supports the overall composition.Because of the apartment's elliptical geometry, conventional furniture systems simply could not respond to the architecture with the required precision. Every built-in element was therefore designed specifically for its location, following changing curves, proportions, and circulation paths while accommodating practical functions such as storage, integrated appliances, and concealed technical systems. This level of customization demanded close collaboration with skilled craftsmen throughout the fabrication process.Equally important was achieving visual balance. Clean proportions, carefully controlled detailing, and uninterrupted material continuity allowed the furniture to blend naturally into the surrounding architecture. Handle-free fronts, integrated lighting, and precisely aligned joints ensured that practical elements remained discreet, allowing attention to remain focused on space, light, and form.At the same time, every bespoke component was designed around everyday living. Comfort, ergonomics, and functionality were carefully considered so that the furniture not only complements the architecture but also improves the way the apartment is used. I believe successful bespoke design should feel intuitive rather than noticeable.Ultimately, the furniture in Curved Residential demonstrates my belief that architecture and craftsmanship are inseparable. When custom elements are developed as part of the architectural concept rather than added afterwards, they strengthen the identity of the space and create an interior that feels coherent, timeless, and deeply connected to the people who live within it.

One of the project's greatest challenges was creating a home that felt open without sacrificing the sense of personal retreat that every residence should provide. Rather than treating privacy as a question of physical separation alone, I explored how spatial relationships, movement, and visual perception could establish different levels of intimacy throughout the apartment.The transition from public to private spaces was intentionally gradual. Instead of clearly defined boundaries, the apartment unfolds through a carefully composed sequence of views, changing proportions, and subtle architectural cues. As occupants move through the interior, they naturally experience a progression from more social areas to increasingly personal spaces, without feeling confined by unnecessary partitions.The apartment's curved geometry plays an important role in this experience. Gentle changes in direction soften visual connections between different functions, creating moments of privacy without completely disconnecting one space from another. This allows natural light to travel freely while avoiding direct sightlines that could reduce the feeling of comfort. As a result, openness and intimacy coexist rather than compete.Custom architectural elements further reinforce these transitions. Bespoke furniture, integrated storage, and carefully positioned volumes subtly organize the apartment while maintaining uninterrupted circulation and visual clarity. These solutions allow each area to retain its own identity without disrupting the overall harmony of the interior.For me, privacy is ultimately about atmosphere rather than enclosure. When architecture carefully controls perspective, light, proportion, and movement, even a compact apartment can provide moments of calm, reflection, and personal comfort while preserving the generosity and openness that contemporary urban living increasingly demands.

From the outset, I wanted colour to play a supporting rather than dominant role. The architectural form already possessed a strong identity, so introducing bold contrasts would have distracted from the qualities that make the apartment unique. Instead, I developed a restrained palette that quietly reinforces the geometry while allowing light and materials to define the atmosphere.The selection of warm neutrals was carefully considered to establish a sense of visual continuity. Soft mineral whites, muted earth tones, natural stone hues, and subtle greys create smooth transitions between surfaces, allowing the eye to move comfortably through the interior without interruption. This restrained approach strengthens the perception of openness while highlighting the sculptural qualities of the curved architecture.Colour was never considered separately from material. Every finish responds differently to changing daylight, producing subtle variations in depth and texture throughout the day. Rather than relying on decorative accents, the apartment gains richness through the interaction between light, natural materials, and carefully balanced tonal relationships. This creates an environment that feels dynamic despite its minimal palette.Consistency also played an important role. Architectural surfaces, bespoke furniture, and integrated elements share closely related tones, reducing visual fragmentation and reinforcing the impression of a single, unified composition. This continuity allows individual details to disappear into the overall architectural narrative instead of competing for attention.I believe colour is most powerful when it creates emotion without demanding attention. In Curved Residential, the palette was designed to establish calmness, warmth, and timelessness, allowing the architecture itself to remain the true protagonist of the interior experience.

I believe the future of urban housing will depend less on increasing square metres and more on improving the quality of the spaces we create. As cities become denser and lifestyles continue to evolve, architects will be challenged to design homes that are not only efficient but also emotionally meaningful, adaptable, and capable of supporting well-being. Curved Residential was developed as an exploration of these possibilities.One of the project's central ideas is that spatial quality should not be measured by size alone. Thoughtful planning, bespoke architectural solutions, carefully integrated technology, and a clear design vision can transform a relatively compact apartment into a home that feels generous, comfortable, and deeply connected to its occupants. Innovation, in my view, comes from improving everyday life rather than introducing unnecessary complexity.I also hope the project encourages a more integrated approach to design. Too often architecture, interiors, lighting, furniture, and craftsmanship are treated as separate disciplines. Curved Residential demonstrates the value of developing these elements simultaneously, allowing each decision to strengthen the next. This holistic methodology results in spaces that are more coherent, more sustainable, and ultimately more enduring.Looking ahead, I believe future residential architecture will increasingly prioritise sensory experience over visual spectacle. People are seeking homes that provide tranquillity, authenticity, and a stronger connection to the way they live, rather than interiors defined by short-lived trends. Natural materials, carefully controlled light, and timeless proportions will therefore become even more significant.Ultimately, I hope Curved Residential encourages architects to see constraints as opportunities for innovation. Whether working with limited floor areas, challenging geometries, or complex urban conditions, meaningful design emerges from understanding how architecture can improve everyday life. If this project inspires a more thoughtful, human-centred approach to residential design, then its influence extends well beyond the boundaries of a single apartment.