Wonderland Primær funktion: Indretning af udstillingscenter af Chengzhe Zhang er en højt anset vinder af den meget prestigefyldte 2020 A' Design Award i Sølv i konkurrencekategorien Indretning og Udstillingsdesign.
SølvIndretning· 2020
Wonderland Primær funktion: Indretning af udstillingscenter
Klient: Shanghai Hongshida Real Estate Development Co., LTD
Vinder af A' Design Award i Sølv i kategorien Indretning
Verificeret Prisvinder
Verificer Prisstatus for #92667Designet
Om Wonderland Primær funktion: Indretning af udstillingscenter
Wonderland er indretningen af et udstillingscenter i Shanghai, Kina. Designet er inspireret af Taoyuan Wonderland, et landskabsmaleri af Ming-dynastiets maler Qiu Ying, og anvender grønne, lyserøde og hvide toner i et roligt rum. En væg af grå skifer skjuler først udsigten, og den ti meter høje hovedhal afsløres langs stien. Den centrale passage fører til konferenceområdet, udstillingsområdet og terummet. Gulvstående bogreoler og geometriske gennembrudte skærme opdeler områderne. En ophængt glasinstallation med mere end 5.000 ferskenblade blev monteret i hånden.
Anerkendelsen
Om A' Design Award i Sølv
Wonderland Primær funktion: Indretning af udstillingscenter er vinder af A' Design Award i Sølv, en usædvanligt prestigefyldt anerkendelse, der tildeles designs i topklasse, som er pragtfulde og imponerende. Sølvvinderne er enormt geniale og overordentlig kreative værker, der illustrerer deres designeres fremragende ekspertise, talent og skarpsindighed. Wonderland Primær funktion: Indretning af udstillingscenter forventes at være et vidunderligt udstillingsværk, der er bemærkelsesværdigt professionelt og dybt innovativt. Dette design, der har vundet A' Design Award i Sølv, er en højst bemærkelsesværdig, beundret opfindelse, som gavner og flytter grænserne for kunst, videnskab, design og teknologi. Wonderland Primær funktion: Indretning af udstillingscenter er en skabelse, som mange misunder, og som vækker begær, bringer positive følelser og antænder forundring og undren.
Bag Designet
Pressemappe
Credits, teammedlemmer og tekniske detaljer leveret af designeren.
- Unikke Egenskaber
- Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment. - Dimensioner & Emballage
- Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
- Tags
- Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
- Produktionsteknologi
- From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
- Designudfordring
- The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. - Forskning
- In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
- Inspiration
- The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space. - Projektvarighed
- The Project started in January 2018 in Shanghai China
- Driftsflow
- From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
- Teammedlemmer
- Mingxin Lu
Yunhui Tang - Billedkreditering
- Main Image: Photographer Hai Zhu, 2018
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