Changes Cycles and Shapes Digital Kunst af Yuko Suzuki

Changes Cycles and Shapes Digital Kunst af Yuko Suzuki er en højt anset vinder af den meget prestigefyldte 2025 A' Design Award i Guld i konkurrencekategorien Generativt, Algoritmisk, Parametrisk og AI-assisteret Design.

GuldGenerativt· 2025

Changes Cycles and Shapes Digital Kunst

af Yuko Suzuki

Klient: Feral File

Vinder af A' Design Award i Guld i kategorien Generativt

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Om Changes Cycles and Shapes Digital Kunst

Dette værk udforsker spørgsmålet, Hvad er maleri? ved at udtrykke cirkulationen af visuelle udtryk. Inspireret af overgange i Mondrians malerier, er det baseret på et komponentdiagram af maleri, hvor form bevæger sig mellem det figurative og det abstrakte, og mellem støj og linearitet - en idé anvendt på farve. Værket fremkalder den skiftende tilstand af digital materialitet og understreger, at formerne imellem forandringer er essensen. Ved at inkorporere teksturer trykt med en baren, afspejler det kunstnerens identitet som grafikar i digital form.

Anerkendelsen

Om A' Design Award i Guld

Changes Cycles and Shapes Digital Kunst er vinder af A' Design Award i Guld, en uhyre prestigefyldt anerkendelse, der tildeles førsteklasses, vidunderlige og fremragende designs. Guldvinderne er yderst innovative, højt visionære og glamourøst blændende skabelser, der afspejler deres designeres geni, visdom og dygtighed. Changes Cycles and Shapes Digital Kunst forventes at være en højt rost, trendsættende og monumental opfindelse, der leverer hidtil uset værdi. Dette design, der har vundet A' Design Award i Guld, er et spektakulært, respekteret projekt, som i høj grad gavner og flytter grænserne for kunst, videnskab, design og teknologi. Changes Cycles and Shapes Digital Kunst skaber intense følelser af begær, vækker passion, opmuntrer kreativitet og fascinerer os.

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Credits, teammedlemmer og tekniske detaljer leveret af designeren.

Unikke Egenskaber: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensioner & Emballage: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tags: Generative Art, Coding
Produktionsteknologi: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Designudfordring: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Forskning: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspiration: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Projektvarighed: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Driftsflow: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Billedkreditering: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.