Mae House In Mise Tŷ gan Tomomi Omachi yn enillydd uchel ei barch o'r 2026 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Pensaernïaeth.

EfyddPensaernïaeth· 2026

House In Mise Tŷ

gan Tomomi Omachi

Enillydd Gwobr Efydd A' Design Award yn y Categori Pensaernïaeth

6,368

Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #182293

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am House In Mise Tŷ

Mae House In Mise yn adnewyddiad o breswylfa wledig draddodiadol Japaneaidd sydd wedi'i lleoli mewn dyffryn afon yn Mitsuse, Talaith Saga. Mae'r prosiect yn adfer eglurder gofodol y strwythur pren gwreiddiol tra'n ailgysylltu bywyd beunyddiol â'r goedwig a'r dŵr llifol o'i amgylch. Mae agoriadau wedi'u lleoli'n ofalus, bondoau dwfn, a gofodau trosiannol haenog yn caniatáu i olau, cysgod, a newid tymhorol lunio'r amgylchedd mewnol. Mae deunyddiau a gafwyd yn lleol, gan gynnwys cedrwydd, cypreswydden hinoki, corsen, gwenithfaen, a shoji wedi'u crefftio â llaw, yn atgyfnerthu cydnawsedd hinsoddol a dilysrwydd deunyddiau.

Y Gydnabyddiaeth

Am y Gwobr Efydd A' Design Award

Mae House In Mise Tŷ yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i House In Mise Tŷ fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae House In Mise Tŷ yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: This project is a renovation of a traditional Japanese rural house that reorients daily living toward forest and river through spatial layering, light modulation, and material authenticity. By retaining the existing timber structure and integrating engawa-like thresholds with locally sourced materials, it achieves environmental continuity, sensory depth, and long-term sustainability.
Dimensiynau a Phecynnu: Renovation of an existing traditional Japanese timber residence located in Mitsuse, Saga Prefecture, Japan. The project preserves the original wooden structural frame while introducing new timber openings, shoji-lined windows, and expanded terraces. Materials include local cedar columns, knot-free hinoki flooring, reed ceilings, and granite paving. Passive environmental strategies include cross-ventilation, deep eaves, and interior–exterior continuity to moderate seasonal climate conditions.
Tagiau: Architectural renovation, Residential architecture, Adaptive reuse, Japanese architecture, Engawa reinterpretation, Landscape-integrated design, Climate-responsive architecture, Material authenticity
Technoleg Cynhyrchu: The project was realized through adaptive reuse of an existing post-and-beam timber structure, retaining approximately 80% of the original frame. Traditional Japanese carpentry and joinery were combined with precise contemporary detailing to recalibrate openings, deep eaves, and spatial thresholds. Locally sourced cedar, hinoki cypress, reed, granite, and handcrafted shoji paper were integrated to ensure climatic compatibility, material longevity, and seamless interior–exterior continuity.
Her Dylunio: The primary challenge was reconciling contemporary living requirements with the preservation of a deteriorated traditional timber structure whose original spatial coherence had been lost through incremental alterations. Structural limitations, regulatory constraints on renovation, and climatic demands of a humid mountain valley required precise intervention. The project demanded selective demolition, careful structural repair, and the reinterpretation of traditional spatial principles to restore environmental continuity without erasing historical character.
Ymchwil: Type of Research: Contextual architectural design research.
Research Objectives: To explore how traditional Japanese architecture can reconnect daily life with nature.
Methodology: Long-term site observation and iterative renovation design.
Data Collection and Tools: Climate analysis, spatial studies, material testing, and architectural drawings.
Participants: Architect and client collaboration over five years.
Results: A restored house integrating light, river, forest, and seasonal change.
Insights and Impact: Demonstrates how culturally rooted renovation can improve well-being and sustainable living.
Ysbrydoliaeth: The project was inspired by traditional Japanese residential architecture, where light, shadow, and seasonal change shape daily life, and by the site’s forested river landscape in Mitsuse, Saga Prefecture. The client’s desire for refuge from urban intensity prompted a research-based approach to spatial layering, engawa reinterpretation, and material authenticity, integrating climate-responsive design and local craftsmanship to restore continuity between dwelling and nature.
Hyd y Prosiect: The project is located in Mitsuse, Saga Prefecture, Japan, within a mountainous river valley in northern Kyushu. Design development and construction were carried out as a comprehensive renovation process, with the project completed in 2025 following an extended period of site analysis, design coordination, and on-site craftsmanship.
Llif Gweithrediad: The house is experienced through a gradual sequence between interior and nature. Large sliding openings connect the lounge, dining area, and guest spaces to terraces facing the river and surrounding forest. Light, wind, and seasonal landscape continuously transform the atmosphere throughout the day. The design encourages slow movement and quiet observation, allowing daily life to unfold in direct relationship with natural sound, light, and climate.
Patentau: Architectural design copyright: Tomomi Omachi / tou., 2026. Photographs copyright: Tatsuya Tabii, 2026.
Aelodau'r Tîm: Tomomi Omachi
Cydnabyddiaeth Delweddau: Image #1: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #2: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #3: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #4: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #5: Photographer Tatsuya Tabii, House in Mise, 2025.