Cycle Of Matter Stondin Arddangosfa gan Marzena Michalska - Smart Design Expo

Mae Cycle Of Matter Stondin Arddangosfa gan Marzena Michalska - Smart Design Expo yn enillydd uchel ei barch o'r 2026 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Sioe Fasnach.

ArianSioe Fasnach· 2026

Cycle Of Matter Stondin Arddangosfa

gan Marzena Michalska - Smart Design Expo

Cleient: Smart Design Expo

Enillydd Gwobr Arian A' Design Award yn y Categori Sioe Fasnach

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Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #181174

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Cycle Of Matter Stondin Arddangosfa

Mae Cycle of Matter yn stondin arddangosfa a ddyluniwyd ar gyfer cynhyrchydd teils cerameg. Mae'r stondin yn cwmpasu 135 metr sgwâr ac yn cyrraedd uchder mwyaf o 4 metr. Ychydig a ddatgelir gan ei ffurf allanol gaeedig, felly dim ond ar ôl mynd i mewn y mae stori'r tu mewn yn dod i'r amlwg. Mae'r arwynebau wedi'u gorchuddio â theils sylfaen heb liw na phatrwm, gan ddangos y deunydd yn ei gyflwr crai. Mae coridor canolog yn arwain ymwelwyr trwy gyfres o ofodau sy'n cynrychioli camau cynhyrchu teils. Mae paredau pwrpasol, lloriau platfform a thua 160 o oleuadau yn llunio'r ymweliad.

Y Gydnabyddiaeth

Am y Gwobr Arian A' Design Award

Mae Cycle Of Matter Stondin Arddangosfa yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Cycle Of Matter Stondin Arddangosfa fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Cycle Of Matter Stondin Arddangosfa yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: Art in Motion. Material that lives.
The Stargres booth was conceived as a spatial narrative about the life of a tile. Its compact, enclosed architecture reveals little from the outside, concealing a story that unfolds only once inside. Clad entirely in raw base tiles without color or pattern, the monochromatic earth-tone space is structured around a central corridor guiding visitors through symbolic stages of tile creation, highlighting process, material origin and rediscovery.
Dimensiynau a Phecynnu: Total area: 135 sqm
Maximum height: 4000 mm
Platform height: 150 mm
Cladded surface with ceramic tiles: approx. 250 sqm
Custom partitions: 17 X type modules, 3 V type modules
Suspended tile composition: 16.5 sqm
Lighting fixtures: approx. 160 units
Integrated AV system with 43 inch screens
Tagiau: exhibition architecture, trade fair design, ceramic tiles, sustainable narrative, spatial storytelling, temporary architecture, material research, immersive space
Technoleg Cynhyrchu: The structure was built as a modular temporary architecture with a 4 m maximum height. System platform flooring (150 mm, laser leveled) supported full tile installation without grouting. Custom X and V partitions were fabricated in OSB and finished with client tiles or structural paint. Powder coated steel edge profiles defined the platform. Over 160 luminaires created layered scenographic lighting. Installation included integrated electrical systems and multimedia walls.
Her Dylunio: The main challenge was presenting a raw base tile as a central aesthetic element while maintaining architectural coherence. Structurally, the booth required heavy ceramic cladding within temporary fair regulations and height limits. Achieving stability, modularity and precise installation without visible technical compromise demanded tight coordination between design, engineering and production teams.
Ymchwil: Stoneware plays the first fiddle here. The aim was to understand how an exhibition stand could clearly show how tiles are produced and communicate the life of this material. The concept was developed as a spatial story that guides visitors step by step through the cycles. Material tests, technical drawings, mockups and cost analysis supported the process, with close collaboration between the design team and Stargres production consultants. The result was a corridor shaped booth showcasing the product, with the base covered in the material in its primary form.
Ysbrydoliaeth: The project was inspired by the idea of returning to origin. Instead of presenting finished collections, the design focuses on the base tile, the raw state preceding color and pattern. This gesture reflects transparency in production and a sustainable mindset. The booth becomes an architectural storyboard, guiding visitors through the symbolic stages of material transformation and rediscovery.
Hyd y Prosiect: The project started in June 2025 in Poland and was completed in October 2025. Production began in September 2025. The booth was installed between 17-21 October 2025 and exhibited at Warsaw Home 2025 from 22-25 October 2025 in Warsaw, Poland.
Llif Gweithrediad: Visitors enter a visually restrained exterior that reveals little of the interior. A central corridor guides them through sequential spatial frames representing stages of tile production. Surfaces, lighting and material transitions create a gradual discovery process. The booth encourages slow exploration rather than immediate display, transforming product viewing into a curated spatial experience.
Aelodau'r Tîm: Designer: Marzena Michalska
Design Studio: Smart Design Expo