Mae Hua Shanday Hunaniaeth Weledol gan Chen Zilong, Huang Yan and Zhu Xuguan yn enillydd uchel ei barch o'r 2026 Gwobr Efydd A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Graffeg.
EfyddGraffeg· 2026
Hua Shanday Hunaniaeth Weledol
gan Chen Zilong, Huang Yan and Zhu Xuguan
Cleient: City University of Macau
Enillydd Gwobr Efydd A' Design Award yn y Categori Graffeg
Enillydd Gwobr Wedi'i Wirio
Gwirio Statws Gwobr ar gyfer #180205Y Dyluniad
Am Hua Shanday Hunaniaeth Weledol
Hunaniaeth weledol yw Hua Shanday a grëwyd ar gyfer Ardal Olygfaol Huashan yn Guangxi, Tsieina, sy'n Safle Treftadaeth y Byd UNESCO. Mae'r hunaniaeth yn tynnu ar Gelf Graig Huashan sy'n 2000 o flynyddoedd oed, a grëwyd gan bobl Luoyue. Caiff totemau hynafol sy'n dangos gweddïau defodol a llafur ar y cyd eu hechdynnu a'u hail-lunio fel eiconau geometrig glân. Mae'r palet lliw yn cadw arlliw ocr coch y paentiadau craig gwreiddiol. Cymhwysir y system i arwyddion, posteri a chyfryngau digidol, fel bod canfod ffordd hefyd yn dod yn brofiad addysgol hygyrch.
Y Gydnabyddiaeth
Am y Gwobr Efydd A' Design Award
Mae Hua Shanday Hunaniaeth Weledol yn enillydd Gwobr Efydd A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau rhagorol sydd yn nodedig am greadigrwydd, dyfeisgarwch a chraffter. Mae enillwyr Efydd yn arteffactau medrus iawn a thrawiadol o greadigol sydd yn dilysu profiad helaeth, dychymyg a dyfeisgarwch eu dylunwyr. Disgwylir i Hua Shanday Hunaniaeth Weledol fod yn wrthrych uchel ei fri, a edmygir ac a anwylir, sydd yn nodedig o broffesiynol ac arloesol. Mae'r dyluniad buddugol hwn o Wobr Efydd A' Design Award yn ymgorffori arferion gorau mewn celf, gwyddoniaeth, dylunio a thechnoleg, ac yn rhagorol am ei sylw i fanylion. Mae Hua Shanday Hunaniaeth Weledol yn bodloni anghenion yn odidog, yn cyffwrdd â dyheadau, yn swyno teimladau ac yn apelio at chwilfrydedd.
Y Tu Ôl i'r Dyluniad
Pecyn i'r Wasg
Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.
- Priodweddau Unigryw
- Designed for the Guangxi Huashan Scenic Area a UNESCO World Heritage site this project establishes the visual identity for Hua Shan Day. The core concept is the revitalization of the 2000 year old Huashan Rock Art. The design actively extracts and reconstructs ancient Luoyue totems depicting scenes of prayer and labor. By reinterpreting these raw historical symbols through a contemporary design language the project bridges the gap between deep archaeology and modern audiences. It transforms static heritage into a vibrant brand system ensuring the ancient visual legacy continues to inspire future generations.
- Dimensiynau a Phecynnu
- Primary Physical Application (Banners/Posters): 600mm x 900mm.
- Tagiau
- Visual Identity, Huashan Rock Art, UNESCO World Heritage, Cultural Branding, Luoyue Culture, Heritage Preservation, Contemporary Reconstruction, Graphic Design, Guangxi China
- Technoleg Cynhyrchu
- The visual identity is designed with a digital first approach to minimize physical waste utilizing scalable vector graphics for online promotion and digital exhibitions. For necessary physical applications such as signage and merchandise the design strictly adheres to sustainable practices utilizing recycled paper stocks and soy based inks. The color palette remains faithful to the heritage site utilizing the specific Huashan Red ochre derived from the original hematite pigment used in the rock art ensuring visual consistency and cultural respect.
- Her Dylunio
- The main challenge was to breathe new life into ancient pictograms without losing their historical authenticity. Traditional approaches often result in rigid copying or overly abstract interpretations. The challenge was to find a balance making the 2000 year old symbols speak to a digital native audience while preserving their solemn heritage value. The solution lay in the methodology of contemporary reconstruction simplifying the complex rock textures into clean iconic graphics that are adaptable across media while retaining the soul of the original Luoyue visual language.
- Ymchwil
- This research revitalizes the 2000 year old Huashan Rock Art UNESCO World Heritage for modern audiences. The team employed visual archaeology to decode Luoyue totems known as the Frog Man and extracted their geometric DNA from ancient pigments. These forms were reconstructed using contemporary design principles. The resulting visual system preserves historical authenticity while ensuring educational accessibility for future generations.
- Ysbrydoliaeth
- The design draws direct inspiration from the awe inspiring Huashan Rock Art in Guangxi created by the Luoyue people during the Warring States period to the Eastern Han dynasty. We focused on the iconic monochromatic red ochre figures specifically the distinct forms representing ritual prayer The Frog Man and collective labor. The raw power dynamic postures and the spiritual connection between humans and nature found on the cliff faces served as the primary visual source. We sought not to copy but to decipher the primitive energy of these ancestors and translate it into a modern graphic narrative.
- Hyd y Prosiect
- The project started in September 2025 in Guangxi, China and finished in December 2025. The project is located in the Huashan Scenic Area, Guangxi Zhuang Autonomous Region, China.
- Llif Gweithrediad
- The design functions as an accessible cultural gateway. By simplifying archaeological figures into intelligible modern icons it lowers the cognitive barrier for visitors. The visual system is applied across the scenic area turning wayfinding and branding into an educational experience. Visitors can instantly recognize the motifs connecting the graphics on their tickets or phone screens directly to the cliffs in front of them. This creates a cohesive narrative loop that transforms a passive viewing of archaeological ruins into an engaging relatable cultural discovery.
- Aelodau'r Tîm
- Designer:CHEN ZILONG;
Designer:HUANG YAN;
Designer:ZHU XUGUAN;
Designer:YANG CHAO;
Designer:LIU XINYU;
Designer:GU JIAYUAN;
Designer:MAO YUTING; - Cydnabyddiaeth Delweddau
- Image #1:CHEN ZILONG;
Image #2:HUANG YAN;
Image #3:ZHU XUGUAN;
Image #4:YANG CHAO;
Image #5:LIU XINYU;GU JIAYUAN;MAO YUTING;
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