Changes Cycles and Shapes Celf Ddigidol gan Yuko Suzuki

Mae Changes Cycles and Shapes Celf Ddigidol gan Yuko Suzuki yn enillydd uchel ei barch o'r 2025 Gwobr Aur A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Cynhyrchiol.

AurCynhyrchiol· 2025

Changes Cycles and Shapes Celf Ddigidol

gan Yuko Suzuki

Cleient: Feral File

Enillydd Gwobr Aur A' Design Award yn y Categori Cynhyrchiol

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Enillydd Gwobr Wedi'i Wirio

Gwirio Statws Gwobr ar gyfer #170864

Ymweld â'r Wefan Gweld yn A' Design Award Datganiad i'r Wasg Bathodyn Gwobr

Lliwiau

Y Dyluniad

Am Changes Cycles and Shapes Celf Ddigidol

Mae'r gwaith hwn yn archwilio'r cwestiwn, Beth yw paentio? trwy fynegi cylchrediad mynegiadau gweledol. Wedi'i ysbrydoli gan drawsnewidiadau ym mhaentiadau Mondrian, mae'n seiliedig ar ddiagram cydrannol o baentio, lle mae siâp yn symud rhwng ffigurol a haniaethol, a rhwng sŵn a llinoledd - syniad a gymhwysir i liw. Mae'r gwaith yn deffro cyflwr newidiol materoldeb digidol, gan bwysleisio mai'r ffurfiau yn y cyfnod rhwng newidiadau yw'r hanfod. Trwy ymgorffori gweadau wedi'u hargraffu â baren, mae'n adlewyrchu hunaniaeth yr artist fel argraffiwr mewn ffurf ddigidol.

Y Gydnabyddiaeth

Am y Gwobr Aur A' Design Award

Mae Changes Cycles and Shapes Celf Ddigidol yn enillydd Gwobr Aur A' Design Award, cydnabyddiaeth aruthrol o fawreddog a roddir i ddyluniadau o'r radd flaenaf, rhyfeddol a rhagorol. Mae enillwyr Aur yn greadigaethau hynod arloesol, gweledigaethol a disglair o ysblennydd sydd yn adlewyrchu athrylith, doethineb a medrusrwydd eu dylunwyr. Disgwylir i Changes Cycles and Shapes Celf Ddigidol fod yn ddyfais hynod glodfawr, arloesol a chofadwy sydd yn cyflwyno gwerth digynsail. Mae'r dyluniad buddugol hwn o Wobr Aur A' Design Award yn brosiect ysblennydd a pharchus sydd yn elwa yn fawr ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Changes Cycles and Shapes Celf Ddigidol yn creu teimladau dwys o ddyhead, yn cynhyrfu angerdd, yn annog creadigrwydd ac yn ein cyfareddu.

Y Tu Ôl i'r Dyluniad

Pecyn i'r Wasg

Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.

Priodweddau Unigryw: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensiynau a Phecynnu: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Tagiau: Generative Art, Coding
Technoleg Cynhyrchu: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Her Dylunio: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Ymchwil: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Ysbrydoliaeth: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Hyd y Prosiect: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Llif Gweithrediad: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Cydnabyddiaeth Delweddau: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.