Mae Bellamy Sans Ffurfnod gan Paul Robb and Moira Bartoloni yn enillydd uchel ei barch o'r 2025 Gwobr Arian A' Design Award mawreddog iawn yng Nghategori Cystadleuaeth Graffeg.
ArianGraffeg· 2025
Bellamy Sans Ffurfnod
gan Paul Robb and Moira Bartoloni
Cleient: S6 Foundry
Enillydd Gwobr Arian A' Design Award yn y Categori Graffeg
Enillydd Gwobr Wedi'i Wirio
Gwirio Statws Gwobr ar gyfer #167745Y Dyluniad
Am Bellamy Sans Ffurfnod
Mae Bellamy Sans yn ffurfnod di-seriff gyfoes sy'n ailddychmygu'r arddull grotesque trwy synwyrusrwydd modern wedi'i fireinio. Wedi'i gwreiddio yn nhraddodiadau teipograffeg y Swistir, mae'n cynnal egwyddor graidd niwtraliaeth wrth gyflwyno dull mwy meddal i'r anhyblygrwydd sy'n nodweddu grotesques clasurol. Mae cyferbyniad cynnil a chromliniau wedi'u crefftio'n feistrolgar yn rhoi urddas fynegiadol ddiarwybod i'r ffurfnod, gydag eglurder sy'n dod i'r amlwg heb ddibynnu ar addurniadau diangen.
Y Gydnabyddiaeth
Am y Gwobr Arian A' Design Award
Mae Bellamy Sans Ffurfnod yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Bellamy Sans Ffurfnod fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Bellamy Sans Ffurfnod yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.
Y Tu Ôl i'r Dyluniad
Pecyn i'r Wasg
Credydau, aelodau tîm a manylion technegol a ddarparwyd gan y dylunydd.
- Priodweddau Unigryw
- Bellamy Sans is a contemporary sans-serif typeface that reimagines the grotesque style with a refined, modern sensibility. Rooted in the tradition of Swiss typography, it maintains the core principle of neutrality while softening the rigidity often associated with classic grotesques. Its subtle contrast and carefully shaped curves lend it an understated elegance—minimalist yet expressive, free from superfluous ornamentation.
- Dimensiynau a Phecynnu
- The book is 120 pages, with the first section demonstrating the robustness of the font in use, the back pages are dedicated to the individual weights and glyphs.
- Tagiau
- Type design, Typeface, Specimen
- Technoleg Cynhyrchu
- The font was digitally created and supported by over 200 Latin languages. The cover was printed onto a recycled board, the internal pages onto 150gsm recycled paper and the book was hand-sewn.
- Her Dylunio
- The primary challenge of this research lies in exploring how the utilitarian principles of historical grotesque typefaces with the nuanced sophistication of contemporary typography. It required addressing how typographic neutrality, clarity, simplicity, and versatility concepts can be reinterpreted through humanistic forms without compromising their functional essence. Additionally, the research must investigate how subtle design refinements can contribute to the evolution of modern typographic practices while honoring historical influences.
- Ymchwil
- This research investigates the design philosophy and developmental process behind the font and explores how Bellamy Sans bridges the gap between the minimalist, utilitarian principles of historical grotesques and the nuanced sophistication of contemporary typography. Central to its design is typographic neutrality, emphasizing clarity, simplicity, and versatility. However, Bellamy Sans reinterprets these qualities through a more humanistic lens, introducing subtle refinements that balance mechanical precision with organic warmth. This research highlights the typeface’s role in evolving modern typographic practices, offering insights into how historical influences can be harmonized with contemporary design needs.
- Ysbrydoliaeth
- The inspiration behind Bellamy Sans stems from a desire to bridge the gap between the functional clarity of mid-20th-century grotesque typefaces and the nuanced sophistication of contemporary design, embracing the idea of typographic neutrality—prioritizing clarity, simplicity, and versatility while reinterpreting these qualities with a more humanistic approach. The typeface was conceived to soften the rigidity often found in classic grotesques.
- Hyd y Prosiect
- The initial designs were designed in November 2023 with the digital font launched in September 2024.
- Llif Gweithrediad
- The Specimen book was sent to the first ten companies that ordered the complete family.
- Aelodau'r Tîm
- Paul Henry Robb
Moria Bartoloni - Cydnabyddiaeth Delweddau
- Paul Henry Robb
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