Changes Cycles and Shapes Arte Digitale da Yuko Suzuki

U designu Changes Cycles and Shapes Arte Digitale da Yuko Suzuki hè un vincitore altamente stimatu di u prestigiosu premiu 2025 A' Design Award d'Oru in a Categuria di Cumpetizione Generativu.

OruGenerativu· 2025

Changes Cycles and Shapes Arte Digitale

da Yuko Suzuki

Cliente: Feral File

Vincitore di u premiu A' Design Award d'Oru in a Categuria Generativu

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U Cuncepimentu

À propositu di Changes Cycles and Shapes Arte Digitale

Stu travagliu esplora a quistione, Chì ghjè a pittura? esprimendu a circulazione di l'espressioni visuale. Ispiratu da e transizioni in e pitture di Mondrian, si basa nantu à un diagramma di cumpunenti di a pittura, induve a forma si move trà u figurativu è l'astrattu, è trà u rumore è a linearità - una idea applicata à u culore. U travagliu evoca u statu cambiante di a materialità digitale, enfatizendu chì e forme trà i cambiamenti sò l'essenza. Incurporendu texture stampate cù un baren, riflette l'identità di l'artista cum'è stampatore in forma digitale.

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À propositu di u A' Design Award d'Oru

Changes Cycles and Shapes Arte Digitale hè un vincitore di u premiu A' Design Award d'Oru, una ricunniscenza immensamente prestigiosa attribuita à i disegni di prima categuria, maravigliosi è straordinarii. I vincitori d'Oru sò creazioni estremamente innuvatrici, assai visiunarie è lucentemente abbagliante chì riflettenu u geniu, a saviezza è l'abilità di i so disegnatori. Si aspetta chì Changes Cycles and Shapes Arte Digitale sia una invenzione assai elogiata, pionera di tendenze è monumentale, chì furnisce un valore senza precedente. Stu disegnu vincitore di u premiu A' Design Award d'Oru hè un prughjettu spettaculare è rispettatu chì benefizia assai è allarga i limiti di l'arte, di a scienza, di u disegnu è di a tecnulugia. Changes Cycles and Shapes Arte Digitale crea sentimenti intensi di disideriu, evoca passione, incuraghjisce a creatività è ci affascina.

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Pruprietà Uniche: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Dimensioni è Imballaghju: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Etichette: Generative Art, Coding
Tecnulugia di Pruduzzione: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Sfida di Designu: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Ricerca: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Ispirazione: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Durata di u Prugettu: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Flussu Operativu: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Crediti d'Imagine: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.