The Armor Primary Function: Custuме teatrale da Samantha Chijona Garcia and Vladimir Cuenca

U designu The Armor Primary Function: Custuме teatrale da Samantha Chijona Garcia and Vladimir Cuenca hè un vincitore altamente stimatu di u prestigiosu premiu 2020 A' Design Award d'Argentu in a Categuria di Cumpetizione Arti di u Spettàculu.

ArgentuArti di u Spettàculu· 2020

The Armor Primary Function: Custuме teatrale

da Samantha Chijona Garcia and Vladimir Cuenca

Cliente: Jazz Martinez Gamboa

Vincitore di u premiu A' Design Award d'Argentu in a Categuria Arti di u Spettàculu

60,069

Vincitore di Premiu Verificatu

Verificà u Statu di u Premiu per #102743

Visità u Situ Vede nantu à A' Design Award Cumunicatu Stampa Badge di Premiu

Culori

U Cuncepimentu

À propositu di The Armor Primary Function: Custuме teatrale

L'Armatura hè un custume teatrale creatu per u persunagiu di Riccardu III in una produzione scenica d'un'opera di Shakespeare. U custume hè fattu cù materiali riciclati è ingumbranti. Linee di metallu sò cusgite nant'à una giacca di sarga, mentre chì gambere di coghju sovrappunente formanu una struttura separata unita da cinghje è fibbie di coghju. Un guantu di maglia di catena serra a manica, è un cappellu di velutu allineatu cù striscie di metallu serve da elmu. E sei parti ponu esse aghjunte o cacciate quandu u persunagiu cambia durante l'opera. U disegnu riflette à u tempu stessu u rè è l'omu vulnerabile chì hè dentru ellu.

U Ricunnoscimentu

À propositu di u A' Design Award d'Argentu

The Armor Primary Function: Custuме teatrale hè un vincitore di u premiu A' Design Award d'Argentu, una ricunniscenza straordinariamente prestigiosa attribuita à i disegni di alta gamma, splendidi è impressiunanti. I vincitori d'Argentu sò opere tremendamente brillanti è estremamente creative chì illustranu l'espertisa, u talentu è l'acutezza eccezziunali di i so disegnatori. Si aspetta chì The Armor Primary Function: Custuме teatrale sia una opera maravigliosa di mostra, rimarchevulemente prufessiunale è prufondamente innuvatrice. Stu disegnu vincitore di u premiu A' Design Award d'Argentu hè una invenzione assai nutevule è ammirata chì benefizia è allarga i limiti di l'arte, di a scienza, di u disegnu è di a tecnulugia. The Armor Primary Function: Custuме teatrale hè una creazione assai invidiata chì evoca disideri, introduce sentimenti pusitivi è accende stupore è maraviglia.

Daretu à u Cuncepimentu

Kit Stampa

Crediti, membri di a squadra è dettagli tecnici furniti da u cuncettore.

Pruprietà Uniche: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Dimensioni è Imballaghju: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Etichette: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Tecnulugia di Pruduzzione: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Sfida di Designu: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Ricerca: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Ispirazione: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Durata di u Prugettu: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Flussu Operativu: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Brevetti: Copyrights belong to Chijona, Samantha, 2018
Membri di a Squadra: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Crediti d'Imagine: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018