Esfahan Pont per a vianants de Mohammad Rahimizadeh and Shaqayeq Nemati

El disseny Esfahan Pont per a vianants de Mohammad Rahimizadeh and Shaqayeq Nemati és un guanyador molt estimat del prestigiós 2022 A' Design Award de Bronze en la Categoria de Competició de Disseny d'Arquitectura, Edificació i Estructures.

BronzeArquitectura· 2022

Esfahan Pont per a vianants

de Mohammad Rahimizadeh and Shaqayeq Nemati

Client: Kalbod Studio

Guanyador del A' Design Award de Bronze en la Categoria de Arquitectura

21,690

Guanyador de Premi Verificat

Verificar l'Estat del Premi per al #137566

Visitar el Lloc Veure a A' Design Award Nota de Premsa Insígnia del Premi

Colors

El Disseny

Sobre Esfahan Pont per a vianants

Esfahan és un pont per a vianants dissenyat per a un emplaçament a Isfahan, Iran. El pont uneix un centre de comerç tecnològic amb un jardí museístic i dona servei a universitats, instituts de recerca i indústries properes. Sales d'exposicions, patis centrals i zones de descans s'ubiquen al llarg del recorregut, de manera que el pas també funciona com a espai públic. La forma remet als ponts històrics d'Isfahan, incloent-hi el pont de Khaju. S'utilitza la simetria reflectiva, de manera que la façana i la seva imatge sobre el riu formen un patró complet. Els espais interiors són flexibles i poden acollir usos diferents.

El Reconeixement

Sobre el A' Design Award de Bronze

Esfahan Pont per a vianants és un guanyador del guardó A' Design Award de Bronze, un reconeixement altament prestigiós concedit a dissenys sobresortints que es distingeixen per la creativitat, l'enginy i l'astúcia. Els guanyadors de Bronze són artefactes ampliament hàbils i sorprenentment creatius que autentiquen la vasta experiència, la imaginació i el recurs dels seus dissenyadors. Es preveu que Esfahan Pont per a vianants sigui un objecte molt apreciat, admirat i estimat, notablement professional i innovador. Aquest disseny guanyador del guardó A' Design Award de Bronze incorpora les millors pràctiques de l'art, la ciència, el disseny i la tecnologia i és excel·lent per la seva atenció al detall. Esfahan Pont per a vianants satisfà esplèndidament les necessitats, toca els desitjos, encisa els sentiments i crida la curiositat.

Darrere del Disseny

Dossier de Premsa

Crèdits, membres de l'equip i detalls tècnics proporcionats pel dissenyador.

Propietats Úniques: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Dimensions i Embalatge: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Etiquetes: Technology , bridge , Exhibition , Recreational , tourism , iran
Tecnologia de Producció: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Repte de Disseny: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Recerca: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Inspiració: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Durada del Projecte: esfahan - iran
Flux d'Operació: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Membres de l'Equip: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -