Ponto Kadera Ллеngeng naébbu Roberta Banqueri

Ponto Kadera Ллеngeng naébbu Roberta Banqueri iyanaritu pammènangngé iya temmaka riéloinna ri 2020 A' Design Award Tambaga ri Katégori Kompétisi Desain Furnitur.

TambagaFurnitur· 2020

Ponto Kadera Ллеngeng

ᨑᨗ Roberta Banqueri

ᨀᨒᨗᨕᨙ: Pontoeu

Pammènangngé A' Design Award Tambaga ri Katégori Furnitur

10,504

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #83334

ᨒᨕᨚ ᨑᨗ ᨔᨗᨈᨘ ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Ponto Kadera Ллеngeng

Ponto iyanaritu kadera léngeng ripancaji untu' ruang ané ki'di sibawa interior ané mabbéda-béda. Disaïnna paké céddé unsuru. Séddi garis matteru malampé napobbicara struktur, ale', sibawa sanré. Onrong tudangngé sibawa sanréé ripasangngi kaing, na bentu anatomi onrong tudangngé mattulung nyaman. Struktur ri saliweng ripancaji polé ri aju sûllé ripulé, na inti pippa besi patawari ale'-ale'é. Pippa besi mabentu X mattulung onrong tudangngé. Rupa sibawa waRna aju ané mabbéda-béda wedding ripasitujuang ri assisibengeng bagiang aju ripulé. Ponto iyanaritu bagiang polé séddi kaluarga kadera.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Tambaga

Ponto Kadera Ллеngeng iyanaritu pakoro A' Design Award Tambaga, pakalebbi iya malompo tongeng iya ripabbere ri desain luar biasa iya riissengngi nasaba kreativitas, kecerdikan sibawa ketajaman. Pakoro Tambaga iyanaritu artefak iya terampil sibawa mappabbura kreatif iya mappabbentuk pengalaman iya maega, imajinasi sibawa kecerdikan tau mabbuat. Ponto Kadera Ллеngeng ripakkirangngi mancaji objek iya ripakalebbi, ripuji sibawa rirennu, profesional sibawa inovatif. Desain pakoro A' Design Award Tambaga iyae mappasilaong praktik tepat ri seni, sains, desain sibawa teknologi sibawa makessing nasaba perhatiannna ri detail. Ponto Kadera Ллеngeng mappabbura kebutuhan makessing, mappakkela keinginan, mappabbentuk perasaan sibawa mappabbura rasa penasaran.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: The piece has a simple language, executed with few elements, a single elongated line and curves structure the seat, the arms and the backrest. At the point of fitting of turned parts can mix types and colors of wood, giving a unique effect to the whole. The seat and backrest are upholstered, the anotomic and organic form of the seat offer a user comfort. The wooden structure was reinforced with a metal tubular core.
Ukurang & Kemasang: 600mm x 600mm x 740mm the chair
700mm x 700mm x 740mm the armchair
500mm x 500mm x 1000mm the stool
Tag: Brazil, Furniture, chair, robertabanqueri, braziliandesing, mobiliariobrasileiro
Téknologi Produksi: The execution of the product is due to the union of technology of a machining center of 6 axes with the use of handcrafted processes. The entire external structure was made of solid wood turned, it took an internal reinforcement in metal to give resistance to part of the arm, and to the assembly, the structure that supports the seat is a metallic X shaped tubular structure, the arms were initially made by hand, around manual and later the drawing passed to the program, being executed by the machining center.
Tantangeng Désain: The creative challenge was to be so simple as to stand, was to be different from the products known in the market, without being pretentious, have personality and functionality, small and light, despite being in solid wood, to run we use a wood called Tauari, light although tough, has light color and allows for dyeing.
Panélitiang: The seemingly simple design contained a huge challenge, to make two big lines hold the whole set, to have a part that followed and turned an arm to support the user, it took some prototypes and tests of resistance, the first arms broke when subjected to weight that an adult human being applies to the sitting and lifting of the chair, then it was necessary to structure with a metal soul internally, but that alone was not sufficient, we had to study how much it should enter and what angle necessary for the solution to work.
Inspirasi: The motivation was to have a simple and elegant product, while small and versatile to get into any space or decor. The language should be contemporary and universal, the use of wood turned and leather, refers us to brazilian modernism, and the minimal of the piece does not refer to the concept of scandinavian simplicity.
Wettu Proyék: The project started in july 2018 and finished february 2019, was exhibited in 35 Paralela Fair in São Paulo, SP, Brazil
Alur Opérasi: The Ponto line is composed of a family of seats, will meet all the seating needs, simply and small, the seat being rounded and having narrow sides offers a large internal space, something that can only be perceived by sitting, thus, as the comfort that provides the anatomical seat.
Paténg: Copyryghts by Roberta Banqueri Serra, 2019
Anggota Tim: Designer Assistent: Rodrigo Costa da Silva
Woodworkers: Alinor Zanotto
Ricardo Zanotto
Valdecir Zanotto
Factory: Todo Ind. de Móveis
Krédit Gambar: #1 Moresco, Ponto, 2019.
#2 Moresco, Ponto, 2019.
#3 Moresco, Ponto, 2019.
#4 Paulino, Ponto, 2020.
#5 Paulino, Ponto, 2020.