The Ripple Primary Function: Bola Pappasennang ri Anu Maté naébbu Minghan Lin, Yuchen Qiu and Hao Zhong iyanaritu pammènangngé iya temmaka riéloinna ri 2026 A' Design Award Salaka ri Katégori Kompétisi Desain Arsitektur, Bangunan, dan Struktur.
SalakaArsitektur· 2026
The Ripple Primary Function: Bola Pappasennang ri Anu Maté
ᨑᨗ Minghan Lin, Yuchen Qiu and Hao Zhong
Pammènangngé A' Design Award Salaka ri Katégori Arsitektur
Pammènangngé Anugérah Naparessoi
Paressoi Status Anugérah untu #181398ᨉᨙᨔᨕᨗᨊᨙ
ᨄᨙᨑᨗᨖᨒ The Ripple Primary Function: Bola Pappasennang ri Anu Maté
Book Text: The Ripple iyanaritu pappangoloéng bola pappasennang ri anu maté iya napatettong sistem ruang massiamung-amung iya napompé polé ri tangnga-tangngaé uwai. Engka ri Chinatown, Kota New York, rancanaéwé napatettongi paimeng pakkampurung sukku-sukkué selaku passakkereng madécéng ri kota tenniya selaku tudang-tudang masiri-siri. Lapi-lapina addampengeng, gattareng, sibawa pangelloreng kaju mappimping kédona polé ri atuwong umumé lao ri mutta-mutta tennang. Cahaya esso, uwai, sibawa akkalarapang lingkungang pasif iya nasiyolong napompé tennang ri perasaang, mappasokong asarinningeng, atujuang, sibawa asalewangeng perasaang risappa ri rancanaé muto.
ᨄᨂᨑᨁᨙ
ᨄᨙᨑᨗᨖᨒ A' Design Award Salaka
The Ripple Primary Function: Bola Pappasennang ri Anu Maté iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. The Ripple Primary Function: Bola Pappasennang ri Anu Maté ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. The Ripple Primary Function: Bola Pappasennang ri Anu Maté iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.
ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ
ᨀᨗ ᨄᨙᨑᨙ
ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.
- Sipa Khas
- The Ripple reimagines hospice as an urban civic sanctuary structured by a concentric ripple geometry generated from a single water court. Architecture, structure, circulation, and environmental systems align within one continuous spatial logic, integrating hybrid timber construction, passive ventilation, and water reuse. The design transforms end-of-life care into a collective, sensory experience embedded within the life of the city.
- Ukurang & Kemasang
- The project employs a hybrid timber system organized by concentric structural rings. Curved CLT load-bearing wall segments rise from a continuous concrete foundation datum, supporting stepped roof bands with integrated skylights, photovoltaic tiles, and rainwater collection gutters. Environmental systems include stacked passive ventilation, hydronic radiant floor slabs, and on-site water filtration and reuse.
- Tag
- Hospice, Healthcare Design, Sensory experience, Therapeutic environment,
- Téknologi Produksi
- The project was developed through an integrated design methodology where geometry, structure, and environmental systems evolve from a single concentric datum. Digital modeling and iterative sectional studies guided spatial, daylight, and airflow performance. A hybrid timber system using curved CLT wall segments, cavity assemblies, and a continuous concrete base enables structural clarity while integrating rainwater collection, passive ventilation, and radiant conditioning within one coordinated assembly.
- Tantangeng Désain
- The primary challenge was reconciling hospice care’s need for privacy and calm with the density and intensity of an urban Chinatown context. Social perceptions of hospice as isolated institutions required rethinking care as civic and accessible. Spatially, integrating sensory comfort, acoustic privacy, and environmental performance within a compact site demanded precise coordination of structure, water systems, and daylight. The project resolves these tensions through a unified geometric and environmental strategy.
- Panélitiang
- Design research combining healthcare design and environmental psychology. Objective: improve patient privacy and emotional comfort in hospice settings. Methodology explored spatial sequencing and sensory design strategies. Experiential scenarios tested water sound as a non-visual privacy buffer.
- Inspirasi
- The Ripple is inspired by the universal image of a water drop generating expanding rings, symbolizing the continuity of life, memory, and collective care. Research into hospice environments, sensory psychology, and traditional courtyard typologies informed a design that replaces institutional isolation with spatial calm, gradual thresholds, and communal presence, integrating cultural reflection with environmental performance.
- Wettu Proyék
- The project was developed between September 2025 and Janurary 2026 as part of an architectural design competition. The Ripple is located in Chinatown, New York City, where it reimagines hospice care within a dense urban context. The proposal explores how end-of-life care can integrate with everyday civic life through architecture, landscape, and community-oriented programming.
- Alur Opérasi
- Movement through Ripple follows expanding concentric rings, guiding visitors from the active city edge toward increasing quiet and intimacy. Thresholds, courtyards, and water elements choreograph gradual emotional transition rather than abrupt separation. Daylight, airflow, and acoustic water features respond passively to occupancy and climate, supporting orientation, privacy, and calm—allowing care to unfold through spatial experience rather than institutional control.
- Paténg
- Minghan Lin, Yuchen Qiu, Hao Zhong
- Anggota Tim
- Minghan Lin
Yuchen Qiu
Hao Zhong - Krédit Gambar
- Minghan Lin, Yuchen Qiu, Hao Zhong
Sponsori
Jélajahi Lampéi ri Designers.org
Sappai produk, layanan sibawa kasempatan polé ri mitra iklang idi.
ᨒᨕᨙᨅᨗ ᨍᨒᨍᨒᨗ
ᨉᨙᨔᨕᨗ ᨔᨗᨄᨉᨙ
ᨍᨒᨍᨒᨗ ᨒᨕᨙᨅᨗ ᨉᨙᨔᨕᨗ ᨆᨊ ᨄᨂᨑᨁ ᨄᨉ ᨀᨈᨙᨁᨚᨑᨗ ᨔᨗᨄᨉᨙ, ᨊᨄᨗᨒᨙ ᨄᨉ ᨀᨘᨕᨒᨗᨈᨔ.
