Seylan Seppak Sofa naébbu Nastaran Khanzade

Seylan Seppak Sofa naébbu Nastaran Khanzade iyanaritu pammènangngé iya temmaka riéloinna ri 2026 A' Design Award Salaka ri Katégori Kompétisi Desain Furnitur.

SalakaFurnitur· 2026

Seylan Seppak Sofa

ᨑᨗ Nastaran Khanzade

ᨀᨒᨗᨕᨙ: Rendi

Pammènangngé A' Design Award Salaka ri Katégori Furnitur

29,104

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #174865

ᨒᨕᨚ ᨑᨗ ᨔᨗᨈᨘ ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Seylan Seppak Sofa

Seylan iyanaritu seppak sofa ripatangngu untu' onrong atuong makkekkuangngé. Bentu'na riala inspirasi pole ri lekko-lekko maccolo'na kalligrafi Nastaliq Persia. Garis matteru sibawa lekko malemma sulléiwi sanjata matareng, na iyaro seppak sofa-é paita pada-pada seni patung pole ri sininna sisi'na. Struktu'na riyebbu pole aju matoro, ribentu' sibawa pemotongan CNC nainappa riyuki', rigosok sibawa ripaccappu sibawa lima. Tudangenna riyebbu pole busa density matanre mallapi-lapi sibawa pallapi kaeng, na lekko-lekkona pimpingngi tudangeng manyameng. Iyaé seppak-é nappunnai tudangeng untu' séddi tau sibawa tudangeng untu' tellu tau. Akkattana iyanaritu tiwii akkarésoang tradisional ri laleng interior moderéng.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Salaka

Seylan Seppak Sofa iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. Seylan Seppak Sofa ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Seylan Seppak Sofa iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
Ukurang & Kemasang: Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm

Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm

Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery

Production Technique:
CNC Machining Combined With Hand Carving And Finishing

Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping
Tag: Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
Téknologi Produksi: The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
Tantangeng Désain: One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
Panélitiang: This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
Inspirasi: The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan.
Wettu Proyék: The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
Alur Opérasi: The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.