Defy Desain Sampu Buku naébbu Jin-Zhi Liao iyanaritu pammènangngé iya temmaka riéloinna ri 2022 A' Design Award Bessi ri Katégori Kompétisi Desain Media Cetak dan Terbitan.
BessiCetak· 2022
Defy Desain Sampu Buku
ᨑᨗ Jin-Zhi Liao
ᨀᨒᨗᨕᨙ: Rye Field Publishing Co.
Pammènangngé A' Design Award Bessi ri Katégori Cetak
Pammènangngé Anugérah Naparessoi
Paressoi Status Anugérah untu #139811ᨉᨙᨔᨕᨗᨊᨙ
ᨄᨙᨑᨗᨖᨒ Defy Desain Sampu Buku
Defy iyanaritu desain sampu buku iya ripancajiyangngi untu' séddi judul tarbi tentang anarkisme. Séuwaé pasang kacamata mancaji unsur visual utama sibawa ricoating varnish spot kuwammengngi tekstureng lebbi macoa gambaranna. Sampu'é sibawa belly band-na mappaitangngi barang-barang biasa iya biasa napake tau ri Taiwan untu' mébbu barikade, contona kerucut lalu lintas, tong sibawa bangku. Kertas kemasan industri ripake selaku bahang percetakan. Skema warna cella, mawitengngé, sibawa mapute mappasingkerui pambangkangeng sibawa révolusi. Barang-barang iya masagenaé mappasiattongengngi séddi paikkiri abstrak sibawa atuong esso-esso.
ᨄᨂᨑᨁᨙ
ᨄᨙᨑᨗᨖᨒ A' Design Award Bessi
Defy Desain Sampu Buku iyanaritu pakoro A' Design Award Bessi, pakalebbi iya malebbi iya ripabbere ri desain makessing iya mappabbura persyaratan profesional sibawa industri iya ripakkirangngi pole ri ciptaan iya makessing ripikkiri. Pakoro Bessi mappakita keterampilan malompo, spesialisasi dalleng, pemahaman ahli sibawa kapasitas kreatif tau mabbuat. Defy Desain Sampu Buku ripakkirangngi mancaji ciptaan iya ripakalebbi, ripuji sibawa rirennu iya praktis sibawa inovatif. Desain pakoro A' Design Award Bessi iyae mappasilaong praktik tepat industri sibawa napaitai karakteristik teknis iya kompeten iya sipulung sibawa pengetahuan sibawa bakat. Nasaba ketelitiannna, Defy Desain Sampu Buku mappoleang pakalebbi sibawa ripikkiri mappabbere perbaikan kualitas laleng iya ritulung mappadeceng lino mancaji tempe makessing.
ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ
ᨀᨗ ᨄᨙᨑᨙ
ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.
- Sipa Khas
- The glasses as a main visual hint, are coated with spot varnish to make the texture more realistic. Various typical objects which are often being used to build barricades are showed on the cover and the belly band. Designer tends to recall the shared memories of Taiwanese readers by these familiar objects. Also industrial packaging paper is used for printing material. The color scheme of the cover is red, black and white, in order to create a sense of the Left-wing, rebellion, and revolution. Readers can associate to Anarchism by both visual and tactile perceptions.
- Ukurang & Kemasang
- Industrial packaging paper: kraft paper and Coated paper on each side
Spot Varnish coating - Tag
- book, press meadia, graphic
- Téknologi Produksi
- Spot varnishing on major visual design
Industrial packaging paper for printing - Tantangeng Désain
- It is a challenge for designer while attempting to intepret the abstract concept of Anarchism for Taiwanese readers, so daily objects are being used allowing readears to easily associate to their experiences.
- Inspirasi
- People are standing up against existing rules, severe laws through provoking small-scale boycotts with typical objects which can be found on the streets of Taiwan. They are often being used to build barricades. For examples like Traffic cone with tire on top, barrels, bench, or a self-made “No Parking” stand. People use these to create a private boundary in a shared place. These behaviors can be taking as actions of Anarchism. The glasses on the other hand, is a symbol of getting a new vewpoint of Anarchism.
- Wettu Proyék
- The designing project started and finished in April 2021 in Tainan, Taiwan, and was published in Taiwan on 1st of April, 2021.
- Alur Opérasi
- The graphic design is to create a shared life experience towards Anarchism, but also to try interpreting a perspective of Taiwanese folk culture.
- Krédit Gambar
- Book Author in original language: James C. Scott
Graphic Design: Jin-Zhi, Liao
Sponsori
Jélajahi Lampéi ri Designers.org
Sappai produk, layanan sibawa kasempatan polé ri mitra iklang idi.
ᨒᨕᨙᨅᨗ ᨍᨒᨍᨒᨗ
ᨉᨙᨔᨕᨗ ᨔᨗᨄᨉᨙ
ᨍᨒᨍᨒᨗ ᨒᨕᨙᨅᨗ ᨉᨙᨔᨕᨗ ᨆᨊ ᨄᨂᨑᨁ ᨄᨉ ᨀᨈᨙᨁᨚᨑᨗ ᨔᨗᨄᨉᨙ, ᨊᨄᨗᨒᨙ ᨄᨉ ᨀᨘᨕᨒᨗᨈᨔ.