National Gallery Athens Musium naébbu Parmenidis Longuepee Mari Team

National Gallery Athens Musium naébbu Parmenidis Longuepee Mari Team iyanaritu pammènangngé iya temmaka riéloinna ri 2022 A' Design Award Ulaweng ri Katégori Kompétisi Desain Ruang Interior na Pameran.

UlawengInterior· 2022

National Gallery Athens Musium

ᨑᨗ Parmenidis Longuepee Mari Team

ᨀᨒᨗᨕᨙ: National Gallery of Greece

Pammènangngé A' Design Award Ulaweng ri Katégori Interior

28,692

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #129529

ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ National Gallery Athens Musium

Ri bangunan modern taun 1960-ang National Gallery ri Athena, ruang pamerangnge didesain paqé promenade ri laleng ruang terbuka. Interior nadidesain sibagaing urutan transisi nabaris kayu tongeng informasi, sibawa ruang pameran mapute tongeng plafon natanungeng khusus sibawang fungsi pameran. Nakontrol arah pandangannge, kedalaman visual ri laleng ruang sibawa ri kotae, pencahayaan umum ri hubungangnge sibawa cahaya lua, napadetteng bahan-bahan sibawa detail teknis nappasorot karya seni, ruangngé naparasa kebebasang miliq.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Ulaweng

National Gallery Athens Musium iyanaritu pakoro A' Design Award Ulaweng, pakalebbi iya malompo tongeng iya ripabbere ri desain kelas pammulang, magello sibawa luar biasa. Pakoro Ulaweng iyanaritu karya iya inovatif, visioner sibawa mallangkara, iya mappakita kecerdasan, pangissengeng sibawa keahlian tau mabbuat. National Gallery Athens Musium ripakkirangngi mancaji penemuan iya lebbi ripuji, mappabbentuk trend sibawa monumental iya mappabbere nilai iya dena na rilebbi. Desain pakoro A' Design Award Ulaweng iyae iyanaritu karya spektakuler iya ripakalebbi iya malompo pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. National Gallery Athens Musium mappabbentuk perasaan keinginan iya makkasuwiang, mappatettong passiri, mappogau kreativitas sibawa mappagello.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Ukurang & Kemasang: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Tag: museography, interior space, gaze, minimalism
Téknologi Produksi: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Tantangeng Désain: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Panélitiang: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Inspirasi: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Wettu Proyék: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Alur Opérasi: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Anggota Tim: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Krédit Gambar: All photos own to the team.