Qin Séri Poster naébbu Kaidi Mao iyanaritu pammènangngé iya temmaka riéloinna ri 2021 A' Design Award Tambaga ri Katégori Kompétisi Desain Grafis, Ilustrasi, na Komunikasi Visual.

TambagaGrafis· 2021

Qin Séri Poster

ᨑᨗ Kaidi Mao

ᨀᨒᨗᨕᨙ: Kaidi Mao

Pammènangngé A' Design Award Tambaga ri Katégori Grafis

9,015

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #124488

ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Qin Séri Poster

Qin iyanaritu séri poster iya mabbalu'i tradisi lukisang lanscape Cina naolai média digital. Aseng Qin poléi polé ri kata basa Cina iya bettuanna mattama' iyaré'ga malusu' tama, na aksara kasuratenna napaddeppéngeng tanra uwai sibawa ati. Gambar-gambaréngngé mammula selaku foto, nainappa ripakatuju sibawa alat digital pada-pada Photoshop, Cinema 4D, sibawa Procreate. Séri-éwé ripaénré ri duwa ukurang sibawa wedding ripaita ri leppang-leppang (print) iyaré'ga ri layara, ri laleng galeri iyaré'ga ri laleng bola. Tujunna iyanaritu untu' mappannessai pandangang Taoisme passalenna alang tabi'ié untu' pabbaca ri sininna linoé.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Tambaga

Qin Séri Poster iyanaritu pakoro A' Design Award Tambaga, pakalebbi iya malompo tongeng iya ripabbere ri desain luar biasa iya riissengngi nasaba kreativitas, kecerdikan sibawa ketajaman. Pakoro Tambaga iyanaritu artefak iya terampil sibawa mappabbura kreatif iya mappabbentuk pengalaman iya maega, imajinasi sibawa kecerdikan tau mabbuat. Qin Séri Poster ripakkirangngi mancaji objek iya ripakalebbi, ripuji sibawa rirennu, profesional sibawa inovatif. Desain pakoro A' Design Award Tambaga iyae mappasilaong praktik tepat ri seni, sains, desain sibawa teknologi sibawa makessing nasaba perhatiannna ri detail. Qin Séri Poster mappabbura kebutuhan makessing, mappakkela keinginan, mappabbentuk perasaan sibawa mappabbura rasa penasaran.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Ukurang & Kemasang: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Tag: Art, poster, Taoism, culture, landscape, painting
Téknologi Produksi: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Tantangeng Désain: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Panélitiang: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspirasi: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Wettu Proyék: The project started in September 2019, finished in May 2020 in Los Angeles.
Alur Opérasi: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.