Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis naébbu Shany Dvora

Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis naébbu Shany Dvora iyanaritu pammènangngé iya temmaka riéloinna ri 2021 A' Design Award Salaka ri Katégori Kompétisi Desain Grafis, Ilustrasi, na Komunikasi Visual.

SalakaGrafis· 2021

Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis

ᨑᨗ Shany Dvora

Pammènangngé A' Design Award Salaka ri Katégori Grafis

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Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #121320

ᨒᨕᨚ ᨑᨗ ᨔᨗᨈᨘ ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis

Shany Abdallah Naji iyanaritu runtungeng karya grafis iya patuwoi paimeng adé' asenna kaluwargaé. Adé'éro, iya cappu' wettunna kaluwargaé lette' polé ri Irak lao ri Israel, mpéréngngi ana' baru aseng pammulang iya risusung sibawa asenna ambo'na enrengngé néné-néné worowanéna. Runtungengngéro ripancaji ri munri riruntu'na sure'-sure' immigrasi kaluwarga malaungé. Lima karya media campuru, eppa iya oloé 50 x 70 sentimétér na séddi iya oloé 75 x 70 sentimétér, tennung gambara' ri laleng kaligrafi Ibrani iya nappéneddingngi sure'-sure' Ibrani polé ri Irak, Yaman sibawa Maroko iya ripancajié ri pole'na abadé' maduwa-belasé lettu' lima-belasé.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Salaka

Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis iyanaritu pakoro A' Design Award Salaka, pakalebbi iya malompo tongeng iya ripabbere ri desain tingkak pole, cantik sibawa mappakita. Pakoro Salaka iyanaritu karya iya macennning tongeng sibawa kreatif iya mappakita keahlian, bakat sibawa ketajaman pikkiran tau mabbuat. Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis ripakkirangngi mancaji karya iya magello, mancaji pakkitaang, profesional sibawa inovatif iya dalleng. Desain pakoro A' Design Award Salaka iyae iyanaritu penemuan iya lebbi riissengngi sibawa ripuji, iya pawangekeng sibawa mappalaong wates seni, sains, desain sibawa teknologi. Shany Abdallah Naji Primary Function: Runtungeng Karya Grafis iyanaritu ciptaan iya riennengi tau maega, iya mappabbura keinginan, mappabbere perasaan makessing sibawa mappabbentuk ketakjuban.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Ukurang & Kemasang: 4 works 50*70 cm
1 work 75*70 cm
Tag: Calligraphy, Typography, Hebrew, Eastern
Téknologi Produksi: Mixed Media
Tantangeng Désain: -
Panélitiang: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Inspirasi: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Wettu Proyék: 2018-2019, Israel
Alur Opérasi: -
Paténg: -
Anggota Tim: -
Krédit Gambar: Shany Dvora