Fissure Koleksi Perhiasan naébbu Lingjun Sun

Fissure Koleksi Perhiasan naébbu Lingjun Sun iyanaritu pammènangngé iya temmaka riéloinna ri 2021 A' Design Award Bessi ri Katégori Kompétisi Desain Perhiasan.

BessiPerhiasan· 2021

Fissure Koleksi Perhiasan

ᨑᨗ Lingjun Sun

ᨀᨒᨗᨕᨙ: Lingjun Sun Jewellery

Pammènangngé A' Design Award Bessi ri Katégori Perhiasan

14,394

Pammènangngé Anugérah Naparessoi

Paressoi Status Anugérah untu #120295

ᨒᨕᨚ ᨑᨗ ᨔᨗᨈᨘ ᨈᨗᨈ ᨑᨗ A' Design Award ᨔᨗᨕᨑ ᨄᨙᨑᨙ ᨅᨙᨍᨗ ᨄᨂᨑᨁ

ᨓᨑᨊ

ᨉᨙᨔᨕᨗᨊᨙ

ᨄᨙᨑᨗᨖᨒ Fissure Koleksi Perhiasan

Fissure iyanaritu koleksi perhiasan iya rilinoi polena awarasa ri lolongeng iya massolo'e sibawa tana iya marakkoe. Tungke' bagiang riyukir manoe' ri lilin mancaji bentu tellu dimensi iya makkuwae sisi', sibawa garisi iya mancaji pada-pada iya engkae ri alangi. Bentu iyaero mattama' ri seddena batu-batue, mancajiangngi susunang iya sipada-padae polé ri bagiang-bagiang iya engka sappé-sappéna. Lost-wax casting, pattaroang batu, finishing bessi sibawa plating rhodium cella' mappuni tungke' bagiang. Bahang-bahang iya ripaké iyanaritu bulaeng makunrai 18K, mutiara baroque South Sea, sibawa berlian macella. Assilaingeng warana mappaita bentu iya sisala-sala sibawa massilingka'.

ᨄᨂᨑᨁᨙ

ᨄᨙᨑᨗᨖᨒ A' Design Award Bessi

Fissure Koleksi Perhiasan iyanaritu pakoro A' Design Award Bessi, pakalebbi iya malebbi iya ripabbere ri desain makessing iya mappabbura persyaratan profesional sibawa industri iya ripakkirangngi pole ri ciptaan iya makessing ripikkiri. Pakoro Bessi mappakita keterampilan malompo, spesialisasi dalleng, pemahaman ahli sibawa kapasitas kreatif tau mabbuat. Fissure Koleksi Perhiasan ripakkirangngi mancaji ciptaan iya ripakalebbi, ripuji sibawa rirennu iya praktis sibawa inovatif. Desain pakoro A' Design Award Bessi iyae mappasilaong praktik tepat industri sibawa napaitai karakteristik teknis iya kompeten iya sipulung sibawa pengetahuan sibawa bakat. Nasaba ketelitiannna, Fissure Koleksi Perhiasan mappoleang pakalebbi sibawa ripikkiri mappabbere perbaikan kualitas laleng iya ritulung mappadeceng lino mancaji tempe makessing.

ᨑᨗ ᨆᨘᨋᨗᨊᨙ ᨉᨙᨔᨕᨗ

ᨀᨗ ᨄᨙᨑᨙ

ᨀᨑᨙᨉᨗ, ᨕᨂᨚᨈ ᨈᨗᨆ ᨔᨗᨅᨓ ᨑᨗᨏᨗ ᨈᨙᨀᨊᨗ ᨊᨄᨓᨙᨑᨙ ᨑᨗ ᨉᨙᨔᨕᨗᨊᨑᨙ.

Sipa Khas: Each piece of this collection is hand-carved into a three dimensional lattice with lines mimicking those found in nature - a technique developed in my MA program in London. A thoughtful design logic hides between the organic lines of each piece, forming accordingly around the gems, contributing to balanced compositions of seemingly random components.
Ukurang & Kemasang: Ring No.1: 41mm x 27mm x 19mm; Earrings No.1: 32mm x 32mm x 7mm; Earrings No.2: 55mm x 14mm x 11mm
Tag: wearable sculpture, art jewellery, one of a kind, volume, asymmetry
Téknologi Produksi: Each piece was hand-carved from wax to create the structure, according to the design needs or specific gem shapes. Lost-wax casting was used later. Stone setting, metal finishing and black rhodium plating were also applied. 18K yellow gold, south sea baroque pearls, white diamonds.
Tantangeng Désain: Seemingly randomness, asymmetrical structure, fine surface texture, together with unique form of each piece in the collection made 2D rendering or computer tools nearly impossible. Every piece required significant time and carving craftsmanship to model and test in physical prototypes. Further detailed adjustment was processed with additional remarkable time and effort.
Panélitiang: Extracting a two dimensional pattern that widely found in nature to a three dimensional form requires large scale of visual analysis and model construction. Carefully designed structure, texture and colour, together serve the design logic hidden behind these seemingly random lines.
Inspirasi: 'Fissure' is a collection inspired by the crevices in melting ice caps and dried earth, echoing the growing environmental crisis we are living in.
Wettu Proyék: The project started in August 2020 in Sydney, and was exhibited in NYC Jewellery Week 2020
Alur Opérasi: The designs were inspired the crevices in melting ice caps and dried earth. Wearers are experiencing the organic, three dimensional and asymmetrical forms of the collection. Its crisscrossing structure is further highlighted by colour contrast. Smooth and lustrous gems sitting in a carefully textured surface of the metal implies the incongruity human civilization and the nature.
Krédit Gambar: Image#1, 2, 3, 4: Photographer Charmaine Morgan, 2020, Image#5: Photographer Lingjun Sun, 2021