Porous Manifold Japanska Čajanka od Ryumei Fujiki and Yukiko Sato

Dizajn Porous Manifold Japanska Čajanka od dizajnera Ryumei Fujiki and Yukiko Sato je visoko cijenjeni dobitnik prestižne nagrade 2019 Srebrna nagrada A' Design Award u kategoriji Dizajn Likovnih Umjetnosti i Umjetničkih Instalacija.

SrebroLikovna Umjetnost· 2019

Porous Manifold Japanska Čajanka

autor Ryumei Fujiki and Yukiko Sato

Klijent: F.A.D.S + Fujiki Studio, KOU::ARC

Dobitnik nagrade Srebrna nagrada A' Design Award u kategoriji Likovna Umjetnost

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Dizajn

O dizajnu Porous Manifold Japanska Čajanka

Ovo je privremena japanska čajdžinica izložena na Echigo-tsumari Art Triennale 2018. i ima ugniježđenu strukturu s prostorom od dva tatamija koji je ugrađen u kvadrat od deset stopa. Na ovoj izložbi od arhitekata je zatraženo da odgovore na temu kako prevazići koncept homogenog prostora koji je bio dominantan u 20. veku. Kostur je dizajniran korištenjem slučajnog uzorka koji je nazvan Voronoi Division kako bi se izobličio homogeni prostor. I predloženo je da arhitektura sa velikim brojem rupa što se može otvarati i zatvarati po potrebi da komunicira sa spoljašnošću kao živo biće.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Porous Manifold Japanska Čajanka je pobjednik Srebrne nagrade A' Design Award, izuzetno prestižnog priznanja koje se dodjeljuje vrhunskim, veličanstvenim i impresivnim dizajnima. Srebrni pobjednici iznimno su briljantna i vrlo kreativna djela koja ilustriraju izuzetnu stručnost, talent i oštroumnost svojih dizajnera. Očekuje se da Porous Manifold Japanska Čajanka bude divno, reprezentativno djelo koje je izuzetno profesionalno i duboko inovativno. Ovaj dizajn koji je osvojio Srebrnu nagradu A' Design Award vrlo je zapažen, nadaleko cijenjen izum koji koristi i pomjera granice umjetnosti, nauke, dizajna i tehnologije. Porous Manifold Japanska Čajanka je kreacija kojoj se mnogi dive i zavide, koja budi želje, donosi pozitivne osjećaje i raspiruje čuđenje i divljenje.

Iza dizajna

Press komplet

Zasluge, članovi tima i tehnički detalji koje je dostavio dizajner.

Jedinstvena svojstva: This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things.
Dimenzije i pakovanje: Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan.
Oznake: Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
Tehnologija proizvodnje: It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
Dizajnerski izazov: Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture.
Istraživanje: Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION).
Inspiracija: Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century.
Trajanje projekta: This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture.
Tok rada: As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people.
Patenti: F.A.D.S + Fujiki Studio, KOU::ARC
Članovi tima: ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto
Autorstvo slika: Masahiro Hoshida, Fujiki Studio, KOU::ARC