Elsewhere میز و ٹیبل وئر سیٹ چه ڈیزائنر Yuhua Li

ڈیزائن Elsewhere میز و ٹیبل وئر سیٹ چه ڈیزائنر Yuhua Li یک باز باایزّتین بُردکار ته 2024 A' Design Award برنجی انعام ته بخش رقابتی بیک ویئر، ٹیبل ویئر، ڈرنک ویئر ءِ کک ویئر ڈیزائن اِنت.

برنجکچن ویئر· 2024

Elsewhere میز و ٹیبل وئر سیٹ

چه Yuhua Li

مشتری: Ke Tong

بُردکار A' Design Award برنجی انعام ته بخش کچن ویئر

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A' Design Award ءَ بگند پریس ریلیز اِنعام ءِ بیجّ

رنگ

ڈیزائن

Elsewhere میز و ٹیبل وئر سیٹ ءِ بارءَ

ایلس ویئر (Elsewhere) یک پورسلین میز و ٹیبل وئر سیٹ اِنت کہ چائے و گل و بوٹگی ہنر گِس یکجا کنت۔ ایں سیٹ اِنت اِچ یک گلدان، یک چائے دان، یک چائے ذخیرگ ظرف، یک پیالگ و یک پیالگ بشقاب۔ ہر یک پارچہ بون چائنا مادگیں انت کہ سلپ کاسٹنگ (slip casting) طریقگ ءَ جوڑ بوتگ و چار جاہ سوچ ءِ پروسہ ءَ گوازینت۔ یک بے چمک سپیت گلیز سطحانی ءَ یک عاجی (ivory) بافت دنت۔ فرو رفتگیں شکل ہمراہ گوستین کوچک کٹ اَئوٹانی ءَ یک دروگیں پرت ءَ ظاہر کننت، کہ یک تضاد ءِ مچی ءَ سولد و خالی گیشانی ءِ درمیان جوڑ کنت۔ شکل کلاسیک چینی پورسلین ءِ پیرو اَنت، بلے کٹ اَئوٹ اپنانی توازن ءَ ماتک کننت تاکہ یک فضا اندر یک فضا ءِ اشارگ دیت۔

پِجّاری

A' Design Award برنجی انعام ءِ بارءَ

Elsewhere میز و ٹیبل وئر سیٹ A' Design Award برنجی انعام ءِ ورگ آ انت، باز معزز اعتراف کہ تخلیقی صلاحیت، اختراع ءُ ذہانت گوں ممتاز بہترین ڈیزائناں دیگ بیت۔ برنج ءِ ورگ آ بھرپور مہارت ءِ ءُ نمایاں ڈولا تخلیقی شاہکار انت، کہ وتی ڈیزائنراں ءِ وسیع تجربہ، تخیل ءُ ہوشیاری ءِ تصدیق کننت۔ Elsewhere میز و ٹیبل وئر سیٹ چہ امید کنگ بیت کہ آ یک باز قدر کنگ بوتگیں، ساراہگ بوتگیں ءُ پیارکنگ بوتگیں چیز بیت، قابل ذکر حد ءَ پیشہ ورانہ ءُ جدت ءِ۔ ای ڈیزائن کہ A' Design Award برنجی انعام ءَ برتگ، فن، سائنس، ڈیزائن ءُ ٹیکنالوجی ءِ بہترین طریقہ شامل کنت ءُ ہورد تفصیلاں ءَ توجہ دیگ ءِ سببا شاندار انت۔ Elsewhere میز و ٹیبل وئر سیٹ ضرورتاں جوانیں ڈولا پورا کنت، خواہشاں ءَ ہنچیت، جذباں ءَ موہنت ءُ تجسس کشنت۔

ڈیزائن ءِ پُشت سر

پریس کِٹ

اعتبارات، ٹیم ءِ نفر و تکنیکی تفصیلات ڈیزائنر ءِ نیمگا فراهم کنگ بوتگ.

خاصین بزانتان: Elsewhere is a porcelain tableware set that blends tea and floral art. It draws from the Chinese aesthetics and philosophy, but also subverts them with a daring design. The pieces have a white finish and an indented design with small cut-outs showing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. They lure the user to discover the hidden beauty and meaning of the objects, and to flee from the dull reality to a different world. Elsewhere is not just a functional and elegant tableware set, but also a poetic and symbolic expression of the human condition.
اندازه ؤ بسته‌بندی: vase:150 mm x 150 mm x 250 mm; teapot: 170mm x 120 mm x 130 mm; tea container: 110 mm x 100 mm x 110 mm; cup: 120 mm x 70 mm x 60 mm; cup plate: 130 mm x 130 mm x 15 mm.
ٹیگان: Chinese Tea Ceremony, Ikebana, Bone china, Aesthetics in life, Ceramic design
تولید ٹکنالوجی: This design is made of bone china using the slip casting technique. It went through four firings: the first one was a high-temperature sintering, the second one was a medium-temperature glazing, the third one was a low-temperature decalcomania, and the fourth one was a low-temperature silver plating. Unlike ordinary bone china glazes, the design chooses to use a non-glossy white glaze with the intention of displaying a kind of ivory texture, and an indented design with small cut-outs revealing an inner layer. The cut-outs contrast the solid and the void, the perfect and the imperfect, the real and the imaginary. Wish to express the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off. It drew inspiration from the Chinese traditional aesthetics and philosophy, but also challenged them with a bold and innovative design.
ڈیزائن چیلنج: The hardest part of this design were
1. To create a design that matched the Chinese traditional aesthetics and philosophy, but also challenged them.
2. To do in-depth user research to understand the needs, preferences, and experiences of tea and floral art lovers from different cultural backgrounds.
3. To use materials and techniques that suited my design concept and theme.
4. To balance functionality and aesthetics, as well as tradition and innovation.
تحقیق: Elsewhere is a design research to create a porcelain tableware set that combines tea and floral art, drawing from and subverting the Chinese aesthetics and philosophy. I used a mixed-methods approach with 40 participants from different cultural backgrounds. The results showed that my design was appreciated by both groups, as it enhanced their tea and floral art experience, and created a sense of ritual and elegance. It offers a new way of enjoying tea and floral art.
الهام: Elsewhere is a fable, a space within a space, a solid nothingness, a reality that is cut off. It is a faithful reproduction of classic Chinese porcelain shapes, embodying the Confucian aesthetics of dignity, fullness, steadiness, and calmness. But Elsewhere also breaks perfection - a part of perfection is cut off, revealing the content of the entity, which is: a person looking away from this world, towards a hard pot or the emptiness in it. The cut-off part is the soul out of the body.
پرۏژه مدّت: The project started in May 2015 in Nanjing and finished in March 2016 in Nanjing.
عملیاتی رۏش: This object is a set of porcelain tableware that can be operated by pouring hot water into the teapot and the vase, and adding tea leaves and flowers. The object transforms by creating a visual and aromatic contrast between the tea and the floral art, and by revealing the inner layer of the pieces through the small cut-outs. The interaction happens by inviting the user to appreciate the beauty and meaning of the objects, and to enjoy the tea and the floral art. The key frames are the moments when the user pours the water, adds the tea leaves and the flowers, and sees the inner layer of the pieces. This object deals a better result by adding a sense of ritual and elegance to the normal functionality of the tableware, and by making the tea and the floral art more decorative. It performs better by expressing the theme of elsewhere, a space within a space, a solid nothingness, a reality that is cut off.