The Birth of a Book መጽሐፍ በ Urszula Giren

The Birth of a Book መጽሐፍ በ Urszula Giren የተሠራ ሲሆን በ የህትመት እና የታተመ ሚዲያ ዲዛይን የውድድር ምድብ ውስጥ እጅግ ከፍ ያለ ክብር ያለው የ 2020 A' Design Award የወርቅ ሽልማት አሸናፊ ነው።

ወርቅህትመት· 2020

The Birth of a Book መጽሐፍ

በ Urszula Giren

ደንበኛ: Urszula Gireń

በ ህትመት ምድብ ውስጥ የ A' Design Award የወርቅ ሽልማት አሸናፊ

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የተረጋገጠ የሽልማት አሸናፊ

ለ #97144 የሽልማት ሁኔታ ያረጋግጡ

ድረ-ገጽ ጎብኝ በ A' Design Award ይመልከቱ ጋዜጣዊ መግለጫ የሽልማት ባጅ

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ስለ The Birth of a Book መጽሐፍ

የመጽሐፍ ልደት በ16ኛው ክፍለ ዘመን ፖላንድ ስለ መጽሐፍ ንድፍ የተዘጋጀ የታተመ ህትመት ነው። መጽሐፉ ጥንታዊ ህትመቶችን በእውነተኛ መጠናቸው ያቀርባል፣ ስለዚህ አንባቢዎች የመጀመሪያዎቹን ቅርጸቶች ማየት ይችላሉ። የመጽሐፉ የውጭ ሽፋን ለጥንታዊው ኦክታቮ ቅርጸት ጥቅም ላይ የዋለውን የገጽ አደራደር ዘዴ ያሳያል። የሪባን ምልክት ማድረጊያ የፎሊዮ፣ የኳርቶ እና የኦክታቮ መጽሐፍት ቁመቶችን ያመለክታል። በርዕስ ገጾች ላይ ያሉት የእንጨት ቅርጻ ቅርጾች በቀለም ግልበጣ የታተሙ ሲሆን፣ በጥቁር ቀለም የተሸፈኑ ማትሪክሶችን ያስታውሳሉ። ቅርጸቱ 256 በ320 ሚሊሜትር ሲሆን፣ 560 ገጾች እና ወደ 1200 የሚጠጉ ሥዕላዊ መግለጫዎች አሉት። ዓላማው የህዳሴ ዘመን የህትመት ዘዴዎችን ለሰፊ አንባቢያን ማብራራት ነው።

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ስለ A' Design Award የወርቅ ሽልማት

The Birth of a Book መጽሐፍ የA' Design Award የወርቅ ሽልማት አሸናፊ ነው፤ ይህም ለመጀመሪያ ደረጃ፣ ድንቅ እና የላቁ ዲዛይኖች የሚሰጥ እጅግ ከፍተኛ ክብር ያለው እውቅና ነው። የወርቅ አሸናፊዎች የዲዛይነሮቻቸውን ብልሃት፣ ጥበብ እና ችሎታ የሚያንጸባርቁ እጅግ ፈጠራ የተሞላባቸው፣ ራዕይ ያላቸው እና በውበታቸው የሚያስደምሙ ሥራዎች ናቸው። The Birth of a Book መጽሐፍ ወደር የማይገኝለት ዋጋ የሚሰጥ እጅግ የተመሰገነ፣ አዝማሚያ ፈጣሪና ታላቅ ፈጠራ እንደሚሆን ይጠበቃል። ይህ የA' Design Award የወርቅ ሽልማትን ያሸነፈ ዲዛይን የኪነ ጥበብ፣ የሳይንስ፣ የዲዛይን እና የቴክኖሎጂ ድንበሮችን በእጅጉ የሚጠቅምና የሚያስፋፋ አስደናቂና የተከበረ ፕሮጀክት ነው። The Birth of a Book መጽሐፍ ጠንካራ የፍላጎት ስሜት ይፈጥራል፣ ፍቅርን ይቀሰቅሳል፣ ፈጠራን ያበረታታል እንዲሁም ይማርከናል።

ከንድፉ በስተጀርባ

የፕሬስ ኪት

ክሬዲቶች፣ የቡድን አባላት እና ቴክኒካል ዝርዝሮች በዲዛይነሩ የተሰጡ።

ልዩ ባህሪያት: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
ልኬቶች እና ማሸጊያ: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
መለያዎች: renaissance book, first roman typefaces, old prints, typography
የማምረቻ ቴክኖሎጂ: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
የዲዛይን ተግዳሮት: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
ምርምር: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
መነሳሻ: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
የፕሮጀክት ጊዜ: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
የሥራ ሂደት: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
የምስል ምስጋና: Urszula Gireń / 2019