Optics and Chromatics ኤግዚቢሽን ፖስተር በ Timea Andoka የተሠራ ሲሆን በ የግራፊክስ፣ ሥዕላዊ መግለጫ እና ምስላዊ ግንኙነት ዲዛይን የውድድር ምድብ ውስጥ እጅግ ከፍ ያለ ክብር ያለው የ 2018 A' Design Award የብር ሽልማት አሸናፊ ነው።
ብርግራፊክ· 2018
Optics and Chromatics ኤግዚቢሽን ፖስተር
ደንበኛ: Timea Andorka
በ ግራፊክ ምድብ ውስጥ የ A' Design Award የብር ሽልማት አሸናፊ
የተረጋገጠ የሽልማት አሸናፊ
ለ #58492 የሽልማት ሁኔታ ያረጋግጡንድፉ
ስለ Optics and Chromatics ኤግዚቢሽን ፖስተር
ኦፕቲክስ እና ኬቲቲም የሚለው ርዕስ በቀለማት ተፈጥሮ ላይ በጌት እና ኒውተን መካከል የተደረገውን ክርክር ነው ፡፡ ይህ ክርክር በሁለቱ ፊደላት-ቅፅ ቅጾች ይወከላል-አንደኛው ይሰላል ፣ ጂኦሜትሪክ ፣ ከተጠማዘዘ ድምoች ጋር ፣ ሌላኛው በቀለማት ያሸበረቁ ጥላዎች በሚያስደንቅ ጨዋታው ላይ የተመሠረተ ነው። እ.ኤ.አ. በ 2014 ይህ ንድፍ ለፔንታቶን ፕላስ ተከታታይ አርቲስት ሽፋኖች ሽፋን ሆኖ አገልግሏል ፡፡
እውቅናው
ስለ A' Design Award የብር ሽልማት
Optics and Chromatics ኤግዚቢሽን ፖስተር የA' Design Award የብር ሽልማት አሸናፊ ነው፤ ይህም ለምርጥ ደረጃ፣ ውብ እና አስደናቂ ዲዛይኖች የሚሰጥ ያልተለመደ ከፍተኛ ክብር ያለው እውቅና ነው። የብር አሸናፊዎች የዲዛይነሮቻቸውን የላቀ ልምድ፣ ተሰጥኦ እና ጥልቅ ማስተዋል የሚያሳዩ እጅግ ብሩህ እና እጅግ ፈጠራ የተሞላባቸው ሥራዎች ናቸው። Optics and Chromatics ኤግዚቢሽን ፖስተር እጅግ ሙያዊና ጥልቅ ፈጠራ የተሞላበት አስደናቂ ማሳያ ሥራ እንደሚሆን ይጠበቃል። ይህ የA' Design Award የብር ሽልማትን ያሸነፈ ዲዛይን የኪነ ጥበብ፣ የሳይንስ፣ የዲዛይን እና የቴክኖሎጂ ድንበሮችን የሚጠቅምና የሚያስፋፋ ትኩረት የሚስብ፣ የሚደነቅ ፈጠራ ነው። Optics and Chromatics ኤግዚቢሽን ፖስተር ፍላጎትን የሚቀሰቅስ፣ በጎ ስሜት የሚያመጣ እና መደነቅንና መገረምን የሚያቀጣጥል በብዙዎች የሚቀኑበት ፈጠራ ነው።
ከንድፉ በስተጀርባ
የፕሬስ ኪት
ክሬዲቶች፣ የቡድን አባላት እና ቴክኒካል ዝርዝሮች በዲዛይነሩ የተሰጡ።
- ልዩ ባህሪያት
- The title Optics and Chromatics refers to the debate between Goethe and Newton on the nature of colours. This debate is represented by the clash of the two letterform compositions, one is calculated, geometric, with sharp contours, the other relies on the impressionistic play of colourful shadows. In 2014 this design served as the cover for Pantone Plus Series Artist Covers. The Pantone Formula Guide and Pantone Solid Chips feature covers showcasing works of art from my project, Optics and Chromatics. (creative manager and designer at Pantone by Timothy Heyer, director of creative marketing at Pantone by Karen Lantelme)
- ልኬቶች እና ማሸጊያ
- original poster size: 70×100 cm
- መለያዎች
- chromatics, optics, Goethe, light, colour, shadow, experimental typography, crafts
- የማምረቻ ቴክኖሎጂ
- paper, coloured plastic sheet, light, shadow
- የዲዛይን ተግዳሮት
- Two new font-designs had to be invented to express the nature of the polemy on colour theory. The two types of letter consist of different materials and form: one is made of paper and shadow, the other is of coloured foil and light. The symmetrical, geometric shapes of the white paper and the sharp shadows in the hard light make the word ’optics’ legible. The word ’cromatics’ is built from coloured foil sheets that create colourful, intertangled beams in different angles of light.
- ምርምር
- It is essential to know in detail the polemy on colour theory between Newton and Goethe when analyzing the relationship between light, shadow and colour. I consider Goethe’s Theory of Colours as one of the basic pieces of work when studying colour experience: it highlights the fact that the colour vision is a greatly changeful, resilient and impressionistic factor, thus not possible to give a description by some exact mathematical formulas – at least not in an adequate manner. The poster enters this several-century-long scientific debate with the resources of contemporary experimental typography. The project’s afterlife shows the timeliness of this inspection: Pantone published its first Limited-edition Artist Covers with this piece of work in 2014.
- መነሳሻ
- Goethe's Theory of Colours appeared in 1810. On the occasion of the bicentennial anniversary of the book the Society of Hungarian Graphic Designers and Typographers announces an international design competition entitled Goetheorie. The title of poster Optics and Chromatics refers to a place where Goethe points out that unlike Newton he is not so much interested in the science of sight (Optics) but rather in the theory of colours (Chromatics). He wants to demonstrate the way we actually experience colours, and not the way we are supposed to experience them according to the laws of mathematics.
- የፕሮጀክት ጊዜ
- The poster was made at Budapest, Hungary, 2010.
It was exhibited at Design Terminal, Budapest, Hungary, 05 November 2010 – 09 January 2011, Donau Buro, Ulm, Germany, 04 July – 13 July 2014 and The World Paper Products, Jeonju, South Korea, 20 – 28 February 2017 - የሥራ ሂደት
- Numerous photos have been taken of the two letterform compositions for the project. Changing the perspective and the light conditions meant plenty of possibilities for the visualization. The two pictures that were finally chosen for the poster are the ones which – complementing each other – accentuate the most the difference between the two colour theories.
- የፈጠራ ባለቤትነት
- all images © Tímea Andorka, 2017
- የቡድን አባላት
- Art director, graphic design, type design and paper craft: Tímea Andorka
- የምስል ምስጋና
- all images © Tímea Andorka, 2017
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