Ceramic Forest Kantoor deur I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Die ontwerp Ceramic Forest Kantoor deur I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2020 A' Design Award in Brons in die Binneruimte- en Uitstallingsontwerp-kompetisiekategorie.

BronsInterieur· 2020

Ceramic Forest Kantoor

deur I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Kliënt: Merge Interiors

Wenner van die A' Design Award in Brons in die Interieur-kategorie

8,554

Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #92890

Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Ceramic Forest Kantoor

As u in 'n visueel gemaklike omgewing met 'n ontwerpte ruimtelikheid werk, word die produktiwiteit van die werk verbeter, en die vertoon- en werkarea is ook omskep in artistieke ruimtes. In die half-oop gebiede is onafhanklike werkareas afgebaken, terwyl gordynmuurglas die lig van natuurlike muur laat binnedring en die lewenskragtigheid van die wit kleurskema vasgevang het om 'n goed verligte en helder werkruimte te skep om die ruimtes van die geheel te optimaliseer binneland.

Die Erkenning

Oor die A' Design Award in Brons

Ceramic Forest Kantoor is 'n wenner van die A' Design Award in Brons, 'n hoogs prestigieuse erkenning wat toegeken word aan uitstaande ontwerpe wat gekenmerk word deur kreatiwiteit, vindingrykheid en skerpsinnigheid. Wenners in Brons is ruimskoots vaardige en opvallend kreatiewe artefakte wat die groot ervaring, verbeelding en vindingrykheid van hul ontwerpers bevestig. Daar word verwag dat Ceramic Forest Kantoor 'n hoog aangeskrewe, bewonderde en gekoesterde voorwerp is wat merkwaardig professioneel en innoverend is. Hierdie ontwerp wat die A' Design Award in Brons gewen het, inkorporeer die beste praktyke in kuns, wetenskap, ontwerp en tegnologie en is uitstekend vanweë sy aandag aan detail. Ceramic Forest Kantoor bevredig behoeftes pragtig, raak aan begeertes, bekoor gevoelens en spreek die nuuskierigheid aan.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Afmetings & Verpakking: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Etikette: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Produksietegnologie: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Ontwerpuitdaging: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Navorsing: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Inspirasie: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Projekduur: The project was completed in October 2013 in Taipei, Taiwan.
Bedryfsvloei: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Spanlede: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Beeldkrediete: Kyle Yu Photo, 2013