Reborn Houtvaas deur Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Die ontwerp Reborn Houtvaas deur Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2023 A' Design Award in Yster in die Beeldende Kunste en Kunsinstallasie Ontwerp-kompetisiekategorie.

YsterBeeldende Kuns· 2023

Reborn Houtvaas

deur Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Kliënt: Tainan University of Technology/Product Design Deparment

Wenner van die A' Design Award in Yster in die Beeldende Kuns-kategorie

15,582

Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #150604

Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Reborn Houtvaas

Skep waarde vir die weggooi en oorskiet van hout uit meubelbedryf deur die gebruik van metaalinlegtegnieke op 'n organies sferiese houtoppervlak. Geïnspireer deur die lewensvorm van groei van sade, is koperdraad op die houtkorrel ingebed en strek dit uit soos die vorm van die wortels wat gegroei het om die houtvaas te ondersteun. Die patroon het funksionele gebruike aangesien houtoorblyfsels in 'n houer gemaak word om te plant, wat lyk soos 'n spruitende saad, wat die siklus van die lewe simboliseer. Die vloeiende metaalwortelvorm gee 'n gevoel van vitaliteit, wat soos 'n bewegende organisme lyk.

Die Erkenning

Oor die A' Design Award in Yster

Reborn Houtvaas is 'n wenner van die A' Design Award in Yster, 'n prestigieuse erkenning wat toegeken word aan goeie ontwerpe wat voldoen aan die professionele en industriële vereistes wat van goed ontwerpte skeppings verwag word. Wenners in Yster toon groot vaardigheid, hoë spesialisasie, kundige begrip en die kreatiewe vermoë van hul skeppers. Daar word verwag dat Reborn Houtvaas 'n hoog aangeskrewe, bewonderde en gekoesterde skepping is wat prakties en innoverend is. Hierdie ontwerp wat die A' Design Award in Yster gewen het, integreer die beste praktyke in die bedryf en het bekwame tegniese kenmerke gekoppel aan kundigheid en talent. Reborn Houtvaas word gerespekteer vir sy deeglikheid en is ontwerp om verbeterings in lewensgehalte te bied wat help om die wêreld 'n beter plek te maak.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Afmetings & Verpakking: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Etikette: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Produksietegnologie: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Ontwerpuitdaging: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Navorsing: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Inspirasie: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Projekduur: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Bedryfsvloei: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Spanlede: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Beeldkrediete: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng