Die ontwerp Qin Posterreeks deur Kaidi Mao is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2021 A' Design Award in Brons in die Grafika-, Illustrasie- en Visuele Kommunikasie-ontwerp-kompetisiekategorie.

BronsGrafika· 2021

Qin Posterreeks

deur Kaidi Mao

Kliënt: Kaidi Mao

Wenner van die A' Design Award in Brons in die Grafika-kategorie

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Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #124488

Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Qin Posterreeks

Qin is 'n posterreeks wat die tradisie van Chinese landskapskilderkuns deur digitale media herinterpreteer. Die naam Qin kom van 'n Chinese woord wat beteken om te deurdring of in te sypel, en die geskrewe karakter verbind die tekens vir water en hart. Die beelde begin as foto's en word dan ontwikkel met digitale gereedskap soos Photoshop, Cinema 4D en Procreate. Die reeks word in twee groottes vervaardig en kan in druk of op skerm vertoon word, in 'n galery of 'n huis. Die doel is om die Taoïstiese siening van die natuur vir 'n internasionale gehoor uit te druk.

Die Erkenning

Oor die A' Design Award in Brons

Qin Posterreeks is 'n wenner van die A' Design Award in Brons, 'n hoogs prestigieuse erkenning wat toegeken word aan uitstaande ontwerpe wat gekenmerk word deur kreatiwiteit, vindingrykheid en skerpsinnigheid. Wenners in Brons is ruimskoots vaardige en opvallend kreatiewe artefakte wat die groot ervaring, verbeelding en vindingrykheid van hul ontwerpers bevestig. Daar word verwag dat Qin Posterreeks 'n hoog aangeskrewe, bewonderde en gekoesterde voorwerp is wat merkwaardig professioneel en innoverend is. Hierdie ontwerp wat die A' Design Award in Brons gewen het, inkorporeer die beste praktyke in kuns, wetenskap, ontwerp en tegnologie en is uitstekend vanweë sy aandag aan detail. Qin Posterreeks bevredig behoeftes pragtig, raak aan begeertes, bekoor gevoelens en spreek die nuuskierigheid aan.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Afmetings & Verpakking: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Etikette: Art, poster, Taoism, culture, landscape, painting
Produksietegnologie: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Ontwerpuitdaging: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Navorsing: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Inspirasie: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Projekduur: The project started in September 2019, finished in May 2020 in Los Angeles.
Bedryfsvloei: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.