Earth Worker Installasiekuns deur Yu Liang Chen

Die ontwerp Earth Worker Installasiekuns deur Yu Liang Chen is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2021 A' Design Award in Yster in die Beeldende Kunste en Kunsinstallasie Ontwerp-kompetisiekategorie.

YsterBeeldende Kuns· 2021

Earth Worker Installasiekuns

deur Yu Liang Chen

Kliënt: NewLocal Art Studio

Wenner van die A' Design Award in Yster in die Beeldende Kuns-kategorie

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Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #118841

Besoek Webwerf Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Earth Worker Installasiekuns

Aardwerker is 'n buiteninstallasiekunswerk wat in 'n vlei in Pingtung-distrik, Taiwan, geplaas is. Die semi-verteenwoordigende menslike figuur staan in die water soos 'n gigant wat alle lewende dinge skep. Een kant van die liggaam kyk af na die aarde, terwyl die ander kant opkyk na die lug. Glasvesel-versterkte sement is die hoofmateriaal, wat oor 'n metaalraamwerk en 'n gebeeldhoude skuimkern aangewend is. Die geborsselde sementmortel-oppervlak is onbewerk gelaat, sonder byvoeging van kleur of lapwerk. Die installasie verwys na plaaslike geskiedenis en na die kultuur van die Macadao-volk.

Die Erkenning

Oor die A' Design Award in Yster

Earth Worker Installasiekuns is 'n wenner van die A' Design Award in Yster, 'n prestigieuse erkenning wat toegeken word aan goeie ontwerpe wat voldoen aan die professionele en industriële vereistes wat van goed ontwerpte skeppings verwag word. Wenners in Yster toon groot vaardigheid, hoë spesialisasie, kundige begrip en die kreatiewe vermoë van hul skeppers. Daar word verwag dat Earth Worker Installasiekuns 'n hoog aangeskrewe, bewonderde en gekoesterde skepping is wat prakties en innoverend is. Hierdie ontwerp wat die A' Design Award in Yster gewen het, integreer die beste praktyke in die bedryf en het bekwame tegniese kenmerke gekoppel aan kundigheid en talent. Earth Worker Installasiekuns word gerespekteer vir sy deeglikheid en is ontwerp om verbeterings in lewensgehalte te bied wat help om die wêreld 'n beter plek te maak.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: The designer metaphors the earth worker as a giant coming from afar, stopping in the wetland to create all living things, using semi-representative human shapes to express local stories through the body, movement, and temperament. In order to bring out the local elements of Taiwan, through long-term interviews and field investigations, to understand the local history and culture, based on the idea of the aboriginal peoples of Macadao that were once a matriarchal society in the local coastal area, and then set up the legendary story of "The Mother Earth".
Afmetings & Verpakking: The designer first sculpts the styrofoam to complete the outline of the prototype, then uses all kinds of metal components as the bone material, covering the overall shape to make it more stable, so as to continue the sculpture work of the surface material. Since the main material of the project is on the surface, the construction needs to consider the hardening time of the cement, and sculpt in stages, and set various seams and edges. How to keep the humidity during the production process to slow down the hardening speed of the cement is required.
Etikette: Installation art, Earth Worker, natural, harmonious, local history, stories
Produksietegnologie: This project uses GlassFiber Reinforced Cement as the main material and uses low-alkali cement mortar to add glass fiber filaments. The exterior design mainly uses cement mortar as the brush texture, without unnecessary patches or color processing, and uses the simple and rough material characteristics to emphasize the sensibility of the project and the natural environment of the wetland.
Ontwerpuitdaging: The overall project needs to include geology, weight, average force, strong gusts, earthquakes, and other climatic factors into the structural calculations. Depending on the data, the marine engineering foundation steel piles are used to design the water foundation. The project of hanging on the water is divided into upper and lower parts due to the weight of the work and the restriction of the equipment, using subtle joining methods, and the joint is set as part of the appearance, without excessive on-site processing or modification.
Navorsing: The semi-representative humanoid device is like a giant standing in the water, using both hands to create all things on the earth, and the stem buds growing on the hand symbolize "all things". Both sides of the body shape have their own meaning, one overlooking the earth, the other one looks up at the sky, and there is a gate for gestation in his body. All the life of all souls comes out from the gate, and on the other hand is the naughty creature "human" who jumps out of the gate, who is the protagonist of the plot.
Inspirasie: The inspiration originally came from the first impression during the first meeting with the local environment. It is hoped that the project will combine the wetland environment and connect the water, woods, and sky to create a natural and harmonious picture. It integrates into the aboriginal culture of the local Macadao tribe, evokes a sense of visual impact with the "Earth Worker", and also brings out the local history and stories.
Projekduur: The project was completed in December 2020 in Pingtung County, Taiwan.
Bedryfsvloei: In addition to implying the mother of the earth, the work also symbolizes "broaden the horizon", which means "everyone is his own creator, and you are the center of your own world." When starting a new stage or dream in life, it is like the gesture of the "Earth Worker", with both feet deeply rooted in the earth and hands deeply cultivating life. The result of the dream is not a secular achievement or the end of happiness, but a "proof of bringing up the courage to change." The designer looks forward to paying tribute to people working hard in society through the project.
Spanlede: Yu-Liang Chen
Beeldkrediete: Yu-Ching Huang