Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal deur Shenzhen Horizon Space Design Co.,Ltd

Die ontwerp Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal deur Shenzhen Horizon Space Design Co.,Ltd is 'n hoogs gewaardeerde wenner van die baie prestigieuese 2021 A' Design Award in Silwer in die Binneruimte- en Uitstallingsontwerp-kompetisiekategorie.

SilwerInterieur· 2021

Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal

deur Shenzhen Horizon Space Design Co.,Ltd

Kliënt: Shenzhen Horizon Space Design Co.,Ltd

Wenner van die A' Design Award in Silwer in die Interieur-kategorie

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Geverifieerde Toekenningswenner

Verifieer Toekenningsstatus vir #116924

Bekyk by A' Design Award Persverklaring Toekenningskenteken

Kleure

Die Ontwerp

Oor Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal

Tee-kultuur is 'n klein tee-kultuur ervaringsaal wat ontwerp is as 'n rustige omgewing om tee te proe. Verskeie horisontale en vertikale ruimtes word saamgevoeg tot een aaneenlopende gebied waar besoekers vryelik kan rondstap, mekaar kan ontmoet of kan stilstaan en terugkyk. Die uitleg is geïnspireer deur gevoude papier, en die gevolglike verskuiwings van perspektief gee die binneruim beide klassieke stilte en moderne lewenskrag. Slanke roosters vervang die oppervlaktekstuur van papier. Elke ruimte word verminder tot 'n eenvoudige funksie, sodat besoekers kan ontspan voordat die tee bedien word.

Die Erkenning

Oor die A' Design Award in Silwer

Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal is 'n wenner van die A' Design Award in Silwer, 'n buitengewoon prestigieuse erkenning wat toegeken word aan topklas-, pragtige en indrukwekkende ontwerpe. Wenners in Silwer is geweldig briljante en uiters kreatiewe werke wat die uitstaande kundigheid, talent en skerpsinnigheid van hul ontwerpers illustreer. Daar word verwag dat Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal 'n wonderlike vertoonstuk is wat merkwaardig professioneel en diepgaande innoverend is. Hierdie ontwerp wat die A' Design Award in Silwer gewen het, is 'n hoogs noemenswaardige, bewonderde uitvinding wat die grense van kuns, wetenskap, ontwerp en tegnologie bevoordeel en uitbrei. Tea Culture Primêre Funksie: Tee-kultuur Ervaringsaal is 'n wyd beny skepping wat begeertes oproep, positiewe gevoelens bring en verbasing en verwondering wek.

Agter die Ontwerp

Persstel

Krediete, spanlede en tegniese besonderhede verskaf deur die ontwerper.

Unieke Eienskappe: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Afmetings & Verpakking: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Etikette: Tea Culture Exploration Hall
Produksietegnologie: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Inspirasie: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Spanlede: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu